“Steve Boyd Flits Among the Lovelies“
August 5, 1963
The Daily Intelligencer
By Erskine Johnson
Rome – Chunky, rugged, dimple-in-the-chin Steve Boyd has just completed movies with Doris Day and Gina Lollobrigida, Now he was playing love scenes with Sophia Loren.
So leave it to me. I came right out and asked him how they compared on his personal popularity chart.
There had been drama of a sort at Rome’s airport the day before. The two Italian film sirens were slated to arrive within 15 minutes of one another – Gina from Athens, Sophia from Madrid.
The photographers were told: “Sophia at Gate 3, Gina at Gate 22.”
One or the other could be missed between arrival times.
I was in the seat directly behind Gina on the plane from Athens. I didn’t know that the airport photographers faced a dilemma.
Not until later did I check their popularity chart. With a choice, they waited for Sophia.
In Steve Boyd’s book it was the same story.
With a sudden, slightly startled smile he answered my candid question:
“There is no comparison. I wouldn’t die exactly for Sophia, but I’d come close to it.”
We were on the set here of Samuel Bronston’s latest big epic, “The Fall of the Roman Empire.” It was a big, colorful set, build for only two weeks work. Most of the filming had been in Madrid, and more scenes would be filmed there.
The size of the film and its colossal set put no damper on the small talk always associated with a movie set, at home or abroad.
Boyd talked about “Imperial Venus,” the movie he had made with Gina. It was a farce and this he regretted. He was sticking to straight drama from now on because:
“I just can’t play farce. When I say something, I mean it.”
Director Anthony Mann was delighted about the chance to be making a historical film about Rome “with positively no clichés.” He started counting them on his fingertips – the clichés the film did not have:
“No lions, no orgy, no shower of rose petals, no debauched emperor, no coliseum mobs.”
About the lack or orgy, he laughed:
“How can any movie have an orgy anyway? They always turn out to feature old men sitting around with young girls dropping grapes into their mouths.”
The film was in its 110th shooting day but Mann was right on schedule.
“We are filming history, not making history in putting this film on the screen,” he laughed, an obvious reference to “Cleopatra.”
On sets, in Rome or in Hollywood, the small talk is the same as always.