“The Fall of the Roman Empire, Film and History”

As a prelude to TCM playing “The Fall of the Roman Empire” next Thursday I thought I would let everyone know there is a fantastic critical essay book out there, “The Fall of the Roman Empire”  – Film and History, edited by Martin M. Winkler.  There are still copies available on Amazon.com.  This is an amazing collection of critical essays about Ancient Roman, reviews of the film by Anthony Mann, Edward Gibbon excerpts, and cinema and historical photos all relating to this era of Roman History.  This came out after the release of “Gladiator” in 2000 to give due credit to this amazing film, which is so readily and tragically forgotten. I really hope people get to enjoy seeing it for the first time on TCM next week! Spread the word!

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with Anthony Mann

Sword and Sandal – Thursdays in January on TCM

http://www.tcm.com/this-month/article/1459193%7C0/Sword-and-Sandal-Thursdays-in-January.html

HOLY CAESAR!! Alert to all Stephen Boyd fans. Finally TCM is airing my favorite all time movie The Fall of the Roman Empire this month on January 17th. Ben-Hur is airing again on January 3rd as well! Strap on your Roman helmets and get ready to watch some amazing peplums. Maybe FOTRE will gather a few more fans….!

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The Gods and Religions of Rome

Happy Solstice, or Sol Invictus Day! Sol Invictus, or Invincible Sun, was a popular Roman solar deity which gained preeminence in the later Roman Empire courtesy of the Emperor Aurelian (and before him the Emperor Egalabalus). In fact, the first Christian Emperor Constantine initially was a worshiper of Sol Invictus as well. The ‘radiant crown’ of Sol Invictus was transferred to Christ and remained popular with Constantine and Christian Roman emperors thereafter in iconography and coins. December 25th (which used to be the solstice) was the celebratory date of Sol Invictus, and this date is still popular today as it was adopted by Christianity in the late 3rd century. So what other deities and religions were popular during the Roman Empire?

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The Emperor Probus ( 276 to 282 AD) and Probus, with Sol Invictus on the reverse

The Imperial Cult

The best way to start describing this cult is by the word Apotheosis, which means to become divine, or to reach divine status. In the summer of 44 AD, after the death of Julius Caesar, a great comet was seen in the sky. Using this imagery his adopted son Octavian (soon to be Augustus) developed a divine cult for Julius Ceasar, including temples and priests. Octavian himself was divi filius (“The son of a deified one”). This concept was common in Greek and Roman religion. Hercules himself had joined the Gods on Olympus after his death, and so did Julius Caesar. Octavian, when he became Emperor (or Princeps of the Republic), allowed cult temples made in the honor of his own divine genius. This genius, or divine spirit, is what was worshiped around the empire. Empresses too and the offspring of the Emperor would also be considered worthy of divine status. Of course this made sense to people in the empire, especially in the East. The Emperor ruled over most of the known world, and anyone wielding such power would of course be divine!

So when Messala tells Ben-Hur that the Roman Emperor Tiberius is God, the “only God” for the power he wields on earth, this is exactly what he means! Failure to worship the Gods of Rome (including the Emperor) is what led Christians into trouble in the 1st and 2nd centuries because lack of worship meant that this person (or persons) did not want to reap the benefits of divine favor to the Empire. It was considered political and social defiance. The Jews, because of their ancient religion, were exempt from worshiping the Imperial Cult and Roman Gods, but the Christians were not.

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“He is power, real power in Earth” Ben Hur, 1959
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As Sheik Ilderim in Ben-Hur says, “The Divine Tiberius is merciful as always!” Photo taken in London.
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rare Roman marble relief from the Julio-Claudian period, circa early 1st century A.D. It depicts the Emperor Tiberius standing before a seated Genius (a manifestation of his divine side) with the goddess Concordia between them as intermediary.

Some megalomaniac Emperors took this imperial cult worship a step further and declared themselves actual gods (not just the worship of their genius) while they were still alive. Such notables would be Caligula (whose memory was condemned), and Commodus, the son of Marcus Aurelius, who posthumously regained his divinity during the reign of Septimus Severus.

The modest and humorous Emperor Vespasian summed this all up best, I think, with his death-bed exclamation: ‘Vae, puto deus fio’ – ‘oh dear, I think I’m becoming a god. ’ (Suentonius, The Twelve Caesars)

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“You could have become a God,” Commodus tells Livius in “The Fall of the Roman Empire”

The Olympians

The traditional Gods of Ancient Greece were still the most popularly worshiped Gods in the Roman Empire. Jupiter, Apollo, Venus, Hera, Artemis, Mars and the like all had temples throughout the Empire in various manifestations. Many Middle Platonist‘s rationalized the worship of many Gods or the properties of God in their various guises or manifestations of the one God Logos, or Truth (see Plotinus, for example). The world is a place teeming with variety, so it makes sense that several aspects of Nature and Human Emotions and Passions are represented by the many Gods of Olympus.

Messala and Ben-Hur remember childhood games when they evoke “Down Eros, Up Mars!” to each other. Mars, or Ares, the God of War, would surely have appealed to a militaristic solider like Messala, as he was the god of strife and war. However it seems Eros, the god of sensual love and desire, could perhaps be the God Messala really wants to summon here?

 

Messala also offers praise to Jupiter before the chariot race begins. “The Roman people worshiped Jupiter more extravagantly and more frequently than all other gods; therefore, the worship of Jupiter is almost monotheistic. Jupiter was the most powerful and the greatest of the gods so much so that the Romans sometimes called him Jupiter-Optimus-Maximus. The Romans considered Jupiter to be the protecting entity of their empire, and they even believed that Jupiter would provide them with the greatest empire the world had ever seen.” (https://en.wikibooks.org/wiki/Roman_Culture/Roman_Myths/Jupiter)

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Temple of Jupiter on the Capitoline Hill in Rome from The Fall of the Roman Empire, 1964
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“Hail Jupiter and give me victory!” says Messala in Ben Hur, 1959

Stoicism

Philosophy could sometimes take on the trappings or demeanor of religion as well. If we take Marcus Aurelius, played so brilliantly by Alec Guinness in “The Fall of the Roman Empire”, and his Meditations, you can get a glimpse of some of the amazing philosophies of the late Roman Empire. Stoicism, founded by Zeno in Athens in 313 BC, matched the Roman mentality very well. Stoics were seekers after the Unknown God. They believed in Fate and Providence (hence they paid particular heed to Oracles and Omens). The God of the Stoics was the Creator of all Things, and obeyed the ‘natural law’. They valued above all things moderation, courage, justice, prudent self control and practical intelligence. Reason and living in agreement with Nature were the basic tenants of Stoicism. There is a world weary tone in The Meditations, but also hope behind the belief of a coherent, ordered, purposeful Universe.

If then, whatever the time may be when thou shalt be near to thy departure, neglecting everything else thou shalt respect only thy ruling faculty and the divinity within thee, and if thou shalt be afraid not because thou must some time cease to live, but if thou shalt fear never to have begun to live according to nature—then thou wilt be a man worthy of the universe which has produced thee, and thou wilt cease to be a stranger in thy native land, and to wonder at things which happen daily as if they were something unexpected, and to be dependent on this or that. (Meditations, 12.1)

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Alec Guinness as the stoic philosopher Emperor Marcus Aurelius in The Fall of the Roman Empire, 1964

Mithras

Last but not least we come to the mysterious Roman cult of Mithras, which displayed the Persian trappings of the ancient Zoroastrian God from Persia. The worship of Mithras seems to have come to Rome around the reign of Domitian and continued well into the 3rd century. Like the Eleusinian and Isis mystery cults, Mithraism also maintained secrets oaths and a hierarchy of ascension (seven ‘grades’ of initiation – Crow, Numphus, Solider, Lion, Persian, Heliodromus and Father). The grades of this hierarchy mirrored the regiments and order of an army, so this religion because popular with the Roman troops, especially on the Danube and the Rhine. The cult excluded women. It revolved around Mithras and his ritual sacrifice of a bull (called a tauroctony), as the giver of ‘seed’ and procreation. This sacrifice and be seen in many statues around the Roman world, showing Mithras (wearing a Persian cap), holding a knife and wrestling the bull. Out of the blood from the bull ears of corn or trees can be seen growing from the ‘gift’ of this sacrfice. Because of the celestial aspects of Mithraism, equinoxes and solstices also were important dates of worship including, once again, December 25th, the day if the solstice during Roman times. The ceremonies for Mithras were mostly performed in caves or underground chambers, many of which can still be seen today.

Religion is only obliquely referred to in “The Fall of the Roman Empire”. For example, the Emperor is a Stoic; his Greek counselor Timonides is a quiet Christian (he can be seen wearing the “chi-rho” symbol around his neck). However, our hero Livius’ religion is never revealed. In my opinion it’s most likely that Livius would have been a follower of Mithras. As a solider on the Danube, Livius would have been exposed to this religious sect and most of his troops were likely followers as well. Most telling of all, Livius’ friend, the Emperor Commodus, was “admitted among the adept and participated in their secret ceremonies.” (Franz Cumont, the Mysteries of Mithra).  Once the cult of Mithras found favor in the person of the highest imperial power it truly gained a reputation and following from the common solider to the highest aristocracy.  “Until the downfall of paganism the aristocracy remained attached to the solar god that has so long enjoyed the favor of the princes.” (Franz Cumont, the Mysteries of Mithra)

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Livius, a likely follower of Mithras in “The Fall of The Roman Empire”

“…Mithras had a militant character, always ready for battle, prepared to assist others in their fight for good and to bring them victory. One of the grades in the mysteries was called Miles, the soldier. The Mithraic cult was a form of military service; life on earth a campaign led by the victorious god. It is therefore little wonder that soldiers of all ranks in the Roman legions, orientals included, felt the lure of Mithras. Observance of the cult guaranteed assistance to all who pledged their lives to the Roman eagle. The assurance of divine aid on the battlefield, the military discipline and the taking of an oath as part of that discipline, were very important factors in the spread of the Mithras cult and its official recognition.” (http://www.cais-soas.com/CAIS/Religions/iranian/Mithraism/m_m/pt3.htm)

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Mithras Head in the London Museum
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The Tauroctony, London Museum

So Happy Holidays and Merry Christmas to everyone out there! And from me, a nod of recognition to the Ancient Gods – whether it be Sol Invictus, Mithras, Augustus or Zeus – as Messala would say, “In the Name of All the Gods!”

Rare Stephen Boyd Clips on BritishPathe.com!

I love when a generous fan out there shares something amazing concerning Stephen Boyd! I want to thank Annette in the UK for pointing out a great website I had never perused before…www.britishpathe.com! Be sure to go to this website and search for Stephen ‘s name. You will find these video clips!

There are some great Stephen Boyd clips on this page!

*Stephen acting as guest-host on a British TV show Film Fanfare from 1957

*An interview of Stephen on the set of Shepperton Studios talking about “Seven Waves Away” and Tyrone Power!

*Prince Phillip, Duke of Edinburgh visits the set of Cleopatra in 1960 and talks to Stephen Boyd

*The premiere of “Shalako” in London, December 1968. Brigitte Bardot, Sean Connery, Diane Cilento and Stephen Boyd meet Princess Margaret. Stephen arrives with a beautiful, elegant Black woman – does anyone know who this mystery woman is?

*A quick video of behind-the-scenes of The Fall of the Roman Empire in Spain. The video features Sophia (sitting in Stephen’s on set chair), and Stephen Boyd and Christopher Plummer enacting a scene which was eventually cut from the film! It’s a scene where Commodus and Livius dash wine (rather cruelly) on captive German prisoners below. You can see the 2 captive girls in the crowd (one of them, Lena Von Martens). This whole storyline was cut from the film, but you can read excerpts from the novel of The Fall of the Roman Empire on this tag here, https://stephenboydblog.com/category/harry-whittington-novelization-of-the-fall-of-the-roman-empire/

I always wondered what this scene was from! It was (wisely) replaced by the ‘drunken’ Livius/Commodus scene instead.

Dec 31, 406 A.D. – “The Crossing of the Rhine”

 

One of the most famous and haunting tales of the late Roman Empire was the winter of 406 A.D. During this period, the barbarian incursions across the border into the Empire had begun to take their toll. In 376 A.D. the Goth tribes had crossed over the Danube, initially with Rome’s permission, to escape a new threat from the  the roving hordes of Huns which had pressured the Goths out of their settlement. After crossing the Danube, this refugee civilization had been cruelly exploited by the Romans, and in turn they took their revenge. In the Battle of Adrianople, August 9, 378 A.D.,  the hollow shell of the once great Roman military power was encircled by Gothic cavalry and surprised in a terrible defeat. The Emperor of the East, Valens, was killed in the struggle. The next Emperor, the virulently Christian Theodosius, allowed the Goth tribes to settle within the Empire itself. They actually served as a barrier and as troops for the Empire. However,  a Visigoth king named Alaric wanted more power, and he took his tribe on a rampage throughout Greece and eventually into Italy. Theodosius’ sons, Arcadius in the East and Honorius in the West, were left to deal with the situation after their father’s death. The Master of Both Services (Foot and Cavalry), Stilicho, a German-born Roman officer who wielded inordinate control of the West and Honorius himself, pursued and battled Alaric throughout the Balkans and Italy. Without a decisive battle, however, some even questioned Stilicho’s own loyalty to the Empire. Because of these battles, the critical troop detachments along the Rhine frontier were mostly withdrawn to protect Italy. This left Gaul critically exposed.

Flavius Stilicho confronts Goths

Amidst this backdrop came the brutal winter of 406 A.D.  A restless hordes of Germanic Tribes (Franks, Burgundians, Macromanni, Vandals, Alemanni) and non-Germanic Alans were poised across the Rhine River from Confluentes (Koblenz) to Rufiniana (Heidelberg), ready to move into more fertile, warmer lands to the south. Their intention was to invade and settle into Gaul, Spain and eventually Africa. When the cold winter froze the river, on December 31, 406 A.D., they crossed and changed the map and history of Europe forever. This was the Fall of the West and the Dark Ages were upon it. Britain was cut off from the Empire, and eventually the entire western Roman Empire came under the dominion of Germanic Tribes. All that Marcus Aurelius and countless other Roman Emperors had fought against in those dark, Germanic forests had been for naught!

“This memorable passage of the Suevi, the Vandals, the Alani, and the Burgundians, who never afterwards retreated, may be considered the fall of the Roman Empire in the countries beyond the Alps; and the barriers, which had so long separated the savage and civilized nations of the earth, were from that fatal moment levelled with the ground.”  (Edward Gibbon, The History of the Decline and Fall of the Roman Empire, Chap. XXX)

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As if to mirror the drama it was meant to portray,  “The Fall of the Roman Empire” began filming in Spain during the harsh winter of 1962-1963. Ironically enough, the Rhine froze over this year as well! This was one of the coldest winters in modern Europe. Stephen Boyd lamented about Sunny Spain at the time: “The snow is up to my waist–the temperature is around zero. I could take it if I could wear long underwear buy you can’t wear longies under a Roman toga!” (January 27,1963, Santa Cruz Sentinal)  See below for some snowy pictures during this abnormally brutal winter season.

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s-l500I highly recommend this novel, “Eagle in the Snow”, by Wallace Breem for a great read about the later Roman Empire and the Crossing of the Rhine. The tale follows a no-nonsense follower of Mithras, General Maximus, as moves from Hadrian’s wall to help fortify the town of Moguntiacum (Mainz) and the Roman territory west of the Rhine against the forthcoming Germanic onslaught. It’s a fascinating tale of the new Christian era, the loss of Paganism, and the changing world of the late Romans.