Here is an unusual “The Fall of the Roman Empire” cast photo which I posted on Twitter but also wanted to share on the blog. Somehow it reminds me of a scene from “Clue”….in the library…with the candlestick….but who is the murderer!!??
Here is an unusual “The Fall of the Roman Empire” cast photo which I posted on Twitter but also wanted to share on the blog. Somehow it reminds me of a scene from “Clue”….in the library…with the candlestick….but who is the murderer!!??
This was a rare find in a Roman book store called The Making of El Cid. It includes, among amazing pictures from El Cid, a preview of The Fall of the Roman Empire. Stephen Boyd, Alec Guinness and Richard Harris are listed as the stars. No Sophia yet, and no Christopher Plummer. Plummer would replace Harris as the Emperor Commodus.
The amazing cast of The Fall of the Roman Empire. From left to right; Anthony Quayle, Mel Ferrer, James Mason, Stephen Boyd, Alex Guiness, Sophia Loren, Christopher Plummer, Omar Sharif and John Ireland
The Fall of the Roman Empire was produced by Samuel Bronston, directed by Anthony Mann (el Cid) and filmed in Spain in the winter and spring of 1963. This is my favorite movie of all time, so I will say emphatically that I cannot be objective about it. I simply love it too much. The film not only has an outstanding international cast, incredible performances and an amazing musical score by Dmitri Tiomkin (that pipe organ introduction still gives me goose-bumps each time I hear it!), but it also features some absolutely stunning set pieces, realistic Roman battles, Roman architecture and stunning scenery. The Fall of the Roman Empire is actually a favorite flick among Roman scholars because it truly captures the mood and tone of Gibbon’s dark second century Rome brilliantly. Gore Vidal, in his book Palimpsest, says “the only ‘accurate’ Roman film that I’ve ever seen- in appearance that is- was The Decline and Fall of the Roman Empire.” In fact historian Will Durant was on-set to offer his advise about the script. I’m sure he received a handsome paycheck to overlook some of the historical inaccuracies. Nevertheless this film is as close as you can get to a true depiction of Roman Imperial life in the 2nd century A.D (at least, Hollywood-style). It is full of quandaries and conflicts, none of which are truly resolved. In my opinion it is a film that reflects a Stoic perspective on life itself.
It contains an assorted of characters, all of which are flawed in one way or another; the philosophic emperor (Alex Guinness) who is idealistic and grand yet the father of a profligate son (Christopher Plummer); the daughter of the emperor (Sophia Loren) who is beautiful yet bitter and hateful towards her mother; the imperial son (Commodus) who not worthy of his father but who ends up ruling anyway, only to discover he is the bastard son of a gladiator (Anthony Quayle); the emperor’s advisor (James Mason) who is a philosopher himself despite being born a slave; and finally the Roman General (Stephen Boyd) who is loved by the emperor, his son and his daughter because he is a moral man and the ideal stoic Roman, but yet is a tacit force in the downfall of the Empire he so loves. Livius is powerless to control the events taking place around him, or at least unwilling to take power himself until no options are left. He walks away from his chance to become Emperor…twice! But after we see the kind of conniving and evil men in the political machine, do we blame him for giving up and walking away at the end of the film? Its questions like these which make me watch this movie over and over again. Besides that, it perfectly captures the Roman world teetering on the brink of the “Time of Chaos”, which would take place at the end of the Severan era around 235 AD, 55 years after the death of Marcus Aurelius.
To summarize the movie, Marcus Aurelius, played superbly by Sir Alex Guinness, prefers to have the morally upright Livius to his corrupt son Commodus. Livius is in love with the Emperor’s daughter, and his is good friends with the Emperor’s son as well. The Emperor reveals his desire to name Livius his heir to become the next Emperor. Livius i stunned – if not downright shaken by the prospect. He reveals this turn of events to none other than Commodus himself, who has just arrived from Rome. The revelation sinks into Commodus and produces taut friction between the two men. A stunning chariot race is the product of this tension which careens down the road of a steep mountain and alongside a rushing river. It has the shades, of course, of the famous “Ben-Hur” race, especially seeing Stephen Boyd in the mix, but this time he is driving the team of white horses!
However, when the Emperor dies abruptly due to poisoning by a scheming haruspex (Mel Ferrer) without officially declaring Livius to be his heir, Livius is presented with a huge quandary. Should he stage a takeover and risk an ugly civil war and at the same time marry the woman he loves, keeping her from the King of Armenia? The risk is paramount: he would be doubted as the legitimate heir. ‘Caesar must be undoubted Caesar,’ he gently tries to explain to his love, Lucilla. So instead Livius does the only thing left for him to do. He presents the logical successor to Marcus Aurelius – his friend and already co- emperor Commodus – the the troops as Caesar. This ensures continued peace in the Empire and the undying loyalty of Commodus as well. Unfortunately, this choice comes at a huge cost; Livius loses Lucilla to an Armenian Prince (Omar Sharif) and he puts the power of the Empire into hands of the unstable and reckless Commodus. As Livius states: “There are only two possibilities, and both are impossible. That is a dilemma.”
Once Commodus has consolidated his power, a battle of wills ensues between his favorite General – our Livius- and Timonides (James Mason) and the Senate concerning the settlement of German tribes within the territory of Rome and offering them citizenship. Timonides and Livius win the Senate, the barbarians are settled, but Livius’s defiance of Commodus’ wishes create a discord between himself and Commodus, especially with Lucilla’s scheming as well. Livius is banished to a lonely patrol back up in the Danube. Commodus softens his stance after a while as a plague ravishes Rome. He invites Livius back to his confidence and construes upon him the task of quelling an Eastern Rebellion (which Livius will soon find out has been instigated by Lucilla herself, along with her Armenian husband (Omar Sharif). Livius is relectant (once again) to accept a position of high authority and tells Commodus, prophetically, “Do not give me this power.” Commodus disregards the warning, fatefully.
After defeating a rebellion of the Eastern Provinces, Livius himself turns his army against Rome and ends up confronting his friend Commodus in a riveting hand to hand javelin battle in the midst of the Roman forum. Commodus dies while embracing Livius in a touching reflection of their earlier friendship. Livius rescues Lucilla from the flames of the burning sacrificial pier and carries the dead Commodus with dignity (and ease) up the steps to the Roman altar. Livius is offered the chance to be Caesar once again by the same men who had rallied around Commodus. In one of the best last lines of any film, Livius turns to them and says, “I don’t think you’d find me suitable, for my first official act would be to have you all crucified.” Fin!!! Queue the dark pipe organ music again as the camera sweeps upwards, following the billows of smoke carrying the ashes of Germanic people being burned alive at the stake, their cries of “Wotan Avenge Us!” echoing the revenge Germany will have in the final days of Rome starting with the Battle of Adrianople in 378 AD and ending when the Visigoths sacked Rome in 410 AD, the beginning of the end for the Western Roman Empire. How can you not love this?
The Fall of the Roman Empire is dark movie with a pessimistic, albeit epic ending. The marketing for the film was astounding – see here for all the many beautiful slides and booklets! It even had a theme song performed by none other than 1960’s top crooner Johnny Mathis. Because of its tone, or perhaps because of audience burn-out for Roman epics (the ‘Cleopatra” hullabaloo had just been released less than a year before), it failed at the U.S. box office, although it did well internationally. Another perspective is that the film was was released in April of 1964, just shy of five months after the John F. Kennedy assassination. A dark epic about the slow decline and collapse of Western Civilization did not serve as a good touchstone for the American public at this point!
With his blond locks and blue eyes, Stephen Boyd really does look amazingly handsome in this film. Boyd is more muted than usual in his screen performance here and some people would probably say it is a dull performance (compared to Messala in Ben-Hur) but I disagree. I have always loved Stephen’s quiet, thoughtful and powerful performance in this movie. Maybe it’s the blond hair; maybe it’s the regal way he carries himself in the Roman armor (has anyone ever looked more handsome in a Roman helmet?); maybe it’s the soft, gentle way he speaks; or maybe it’s the way he seems totally in awe of Sophia Loren. He has some truly tender and touching scenes with Italian super-star Sophia Loren. They look absolutely stunning together on screen as well.
The script has its good and bad moments. Most of the actors were displeased, especially coming at the heels of some really excellent epic scripts like “Lawrence of Arabia”. Some of the dialogue reminds me of ‘George Lucas speak’. In fact some of the lines (especially in the romantic scenes) are used almost verbatim in Star Wars- Attack of the Clones and Star Wars – Revenge of the Sith. And the fact that you have Alec Guinness being about as Jedi as a Roman-philosopher-Emperor could be, I can’t help but see Star Wars-isms in The Fall of the Roman Empire as well.
It’s very fitting that The Fall of the Roman Empire, which essentially ended the ‘sword-and-sandal’ film era, would be the tacit inspiration 36 years later for Ridley Scott’s Oscar winning epic Gladiator, which kick started a whole new era of ‘sword-and-sandal’ movies in the 2000’s like The 300, Alexander and Troy! Gladiator seems to owe more to Spartacus than The Fall of the Roman Empire, but nonetheless it is a fitting conclusion to the amazing inspiration of The Fall of the Roman Empire.
Enjoy Turner Classic Movie’s airing of The Fall of the Roman Empire on January 17th, 2019!!!
As a prelude to TCM playing “The Fall of the Roman Empire” next Thursday I thought I would let everyone know there is a fantastic critical essay book out there, “The Fall of the Roman Empire” – Film and History, edited by Martin M. Winkler. There are still copies available on Amazon.com. This is an amazing collection of critical essays about Ancient Roman, reviews of the film by Anthony Mann, Edward Gibbon excerpts, and cinema and historical photos all relating to this era of Roman History. This came out after the release of “Gladiator” in 2000 to give due credit to this amazing film, which is so readily and tragically forgotten. I really hope people get to enjoy seeing it for the first time on TCM next week! Spread the word!
I love when a generous fan out there shares something amazing concerning Stephen Boyd! I want to thank Annette in the UK for pointing out a great website I had never perused before…www.britishpathe.com! Be sure to go to this website and search for Stephen ‘s name. You will find these video clips!
There are some great Stephen Boyd clips on this page!
*Stephen acting as guest-host on a British TV show Film Fanfare from 1957
*An interview of Stephen on the set of Shepperton Studios talking about “Seven Waves Away” and Tyrone Power!
*Prince Phillip, Duke of Edinburgh visits the set of Cleopatra in 1960 and talks to Stephen Boyd
*The premiere of “Shalako” in London, December 1968. Brigitte Bardot, Sean Connery, Diane Cilento and Stephen Boyd meet Princess Margaret. Stephen arrives with a beautiful, elegant Black woman – does anyone know who this mystery woman is?
*A quick video of behind-the-scenes of The Fall of the Roman Empire in Spain. The video features Sophia (sitting in Stephen’s on set chair), and Stephen Boyd and Christopher Plummer enacting a scene which was eventually cut from the film! It’s a scene where Commodus and Livius dash wine (rather cruelly) on captive German prisoners below. You can see the 2 captive girls in the crowd (one of them, Lena Von Martens). This whole storyline was cut from the film, but you can read excerpts from the novel of The Fall of the Roman Empire on this tag here, https://stephenboydblog.com/category/harry-whittington-novelization-of-the-fall-of-the-roman-empire/
I always wondered what this scene was from! It was (wisely) replaced by the ‘drunken’ Livius/Commodus scene instead.
In mid 1963, as Stephen Boyd was wrapping up his role as the Roman General Livius in the epic production of “The Fall of the Roman Empire,” director Anthony Mann started to consider Boyd as the lead in his next project as well – “The Unknown Battle.” This movie was going to portray the true story of the top secret Allied mission to knock out the nuclear weapons plant run by the Nazi’s in Norway during the mid stages of WWII. Norwegians saboteurs, in a serious of heroic operations, destroyed a ‘heavy water’ plant in Telemark, Norway before if could be used to help develop a nuclear weapon which could have changed the outlook of the war in the most terrible way. Winston Churchill called it one of the most important single acts of World War II because it prevented the Nazis from developing the atomic bomb.
The Vemork Hydroelectric Plant – the setting for Anthony Mann’s WWII adventure film, “The Unknown Battle”
Originally Mann was seeking to cast Charlton Heston (who had worked with Mann on “El Cid” in 1961) and Stephen Boyd (currently working with Mann) as the two leads in the project. Yes, a reunion of the iconic “Ben-Hur” antagonists was initially the main objective!
Boyd was set up for a decidedly busy schedule for the next few months and even lamented to one reporter, ” When will I get in a round of golf?” (Honolulu Star Bulletin, June 6, 1963).
By February of 1964 stunner Elke Sommer (Boyd’ future co-star in “The Oscar”) was signed to be the female lead on the film (whose title had now changed to “High Adventure.”) Boyd told Hedda Hopper that Sommer was as “sexy looking as any actress around”, and asked for her to be his leading lady. (Los Angeles Times, Feb 5, 1964)
Meant for each other – Sommer and Boyd would reunite explosively in “The Oscar”, 1965
Heston had not been signed, and then Mann considered Boyd’s counterpart in “The Fall of the Roman Empire”, Christopher Plummer for the role. Then the merry-go-round of casting continued to some very curious participants!
For a key role opposite Boyd, Mann wanted Steve McQueen and offered him $500,000 plus a percentage of the gross.
Mann explained what unfolded next.
“McQueen told my representative : ‘I resent your calling me at home.’ So I forgot about him.
“Then I went after Marlon Brando, whose price is a million. I didn’t mind the price but he wanted to change the script.
“There were some actors in the cast he didn’t like. He insisted that they must play Nazis. I dropped him, too.” (The Progress Index, Feb 24, 1964)
Incredibly Anthony Perkins of “Psycho” fame, for a cheaper price than Brando of course, won the role.
So the main cast of “The Unknown Battle/High Adventure” was set – Stephen Boyd, Elke Sommer and Tony Perkins.
Boyd’s carousel of potential “Unknown Battle” co-star’s – from McQueen to Brando to Perkins!
In March Boyd was home in Hollywood to discuss the premise of the movie with the press. He seemed very excited about the story.
Smoking rising from Vemork hydroelectric plant after Allied air raid, Telemark, Norway, 16 Nov 1943 ww2dbase
The story if based on a little-known incident of 1943. It was in the spring just 23 years ago that Hitler announced he has discovered the basic elements to destroy the Free World with atomic bombs of his own. A group of seven men, Norwegians and British, were selected by Allied Intelligence Service to be smuggled into occupied territory to blow up the secret Heavy-Water experimental station in the mountains 100 miles north of Oslo. How these men helped to save the cause of democracy is a story, Boyd feels, must be told. Elke Sommer, herself a product of Germany, portrays a Norwegian girl who helps her countryman in the dangerous mission. The account of the venture has been fictionalized by Ben Barzman… (St Louis Jewish Light, March 18, 1964).
Stephen had packed his bags once more and headed to London and the cold ice fields of beautiful Oslo, Norway to start filming on location. Boyd has been waiting – and waiting – for the production to actually begin. Terrifying flashbacks to the “Cleopatra” debacle of a few years prior were most likely clouding his thoughts! Frighteningly, Anthony Mann was producing and directing the project. It didn’t take long for the money to run short.
In late March journalist Sheilah Graham broke the story that Stephen, after arriving in London, discovered that the production has been indefinitely postponed. He hurriedly called his agent to join him there to find out what was going on! By April Stephen had filed a $500,000 breach of contract suit against Mann for time wasted and other opportunities lost (Mann didn’t seem to mind to much- he was at the Cannes Film Festival when the suit was filed!). (Philadelphia Inquirer, April 25, 1964)
Boyd has missed some other excellent film offers, including Sophia Loren’s project “Lady L.” Carlos Ponti, Loren’s husband/producer, had told Boyd that “your love scenes with my wife were the greatest (From “The Fall of the Roman Empire”). I’d like you to costar with her in Lady L.” (Los Angeles Times, Feb 5, 1964) Boyd wanted the role, and Loren was insistent that Boyd star as her lover, but as Boyd was tied up with “The Unknown Battle”. Loren had to settle for a lackluster and totally miscast Paul Newman! In addition, Boyd chose not to fly all the way back to Hollywood to attend the premiere of Paramount’s “The Fall of the Roman Empire.”
By July of 1964 Boyd had cooled a bit and explained to Sheilah Graham what had happened with the production.
“But I sat on my rear end in London, waiting for it to start. A major studio was supposed to provide 50 perfect if the finance. Two weeks before production, they backed out. Tony Mann, the director, has promised me we will make the picture later this year, when the snows come again in Norway.” (Asbury Park Press, July 2, 1964)
Two weeks after this interview, Kirk Douglas replaced Boyd in his role. Boyd had signed on to be the villain in “Genghis Khan” and he was off to make this film instead.
Mann did eventually get his project off the ground with Douglas, Michael Redgrave and Ulla Jacobssen. Richard Harris, who had been Mann’s original choice to play Commodus in “The Fall of the Roman Empire”, eventually became the second lead. Harris had just finished up his role as Cain in John Huston’s epic “The Bible”, which also featured Boyd as Nimrod.
Mann’s film was renamed “The Heroes of Telemark” and it was released in 1966. It’s a taut adventure movie with some truly heartracing action scenes and spectacular Norwegian scenery. But I still wish it had been made with the original cast!
One of the most famous and haunting tales of the late Roman Empire was the winter of 406 A.D. During this period, the barbarian incursions across the border into the Empire had begun to take their toll. In 376 A.D. the Goth tribes had crossed over the Danube, initially with Rome’s permission, to escape a new threat from the the roving hordes of Huns which had pressured the Goths out of their settlement. After crossing the Danube, this refugee civilization had been cruelly exploited by the Romans, and in turn they took their revenge. In the Battle of Adrianople, August 9, 378 A.D., the hollow shell of the once great Roman military power was encircled by Gothic cavalry and surprised in a terrible defeat. The Emperor of the East, Valens, was killed in the struggle. The next Emperor, the virulently Christian Theodosius, allowed the Goth tribes to settle within the Empire itself. They actually served as a barrier and as troops for the Empire. However, a Visigoth king named Alaric wanted more power, and he took his tribe on a rampage throughout Greece and eventually into Italy. Theodosius’ sons, Arcadius in the East and Honorius in the West, were left to deal with the situation after their father’s death. The Master of Both Services (Foot and Cavalry), Stilicho, a German-born Roman officer who wielded inordinate control of the West and Honorius himself, pursued and battled Alaric throughout the Balkans and Italy. Without a decisive battle, however, some even questioned Stilicho’s own loyalty to the Empire. Because of these battles, the critical troop detachments along the Rhine frontier were mostly withdrawn to protect Italy. This left Gaul critically exposed.
Amidst this backdrop came the brutal winter of 406 A.D. A restless hordes of Germanic Tribes (Franks, Burgundians, Macromanni, Vandals, Alemanni) and non-Germanic Alans were poised across the Rhine River from Confluentes (Koblenz) to Rufiniana (Heidelberg), ready to move into more fertile, warmer lands to the south. Their intention was to invade and settle into Gaul, Spain and eventually Africa. When the cold winter froze the river, on December 31, 406 A.D., they crossed and changed the map and history of Europe forever. This was the Fall of the West and the Dark Ages were upon it. Britain was cut off from the Empire, and eventually the entire western Roman Empire came under the dominion of Germanic Tribes. All that Marcus Aurelius and countless other Roman Emperors had fought against in those dark, Germanic forests had been for naught!
“This memorable passage of the Suevi, the Vandals, the Alani, and the Burgundians, who never afterwards retreated, may be considered the fall of the Roman Empire in the countries beyond the Alps; and the barriers, which had so long separated the savage and civilized nations of the earth, were from that fatal moment levelled with the ground.” (Edward Gibbon, The History of the Decline and Fall of the Roman Empire, Chap. XXX)
As if to mirror the drama it was meant to portray, “The Fall of the Roman Empire” began filming in Spain during the harsh winter of 1962-1963. Ironically enough, the Rhine froze over this year as well! This was one of the coldest winters in modern Europe. Stephen Boyd lamented about Sunny Spain at the time: “The snow is up to my waist–the temperature is around zero. I could take it if I could wear long underwear buy you can’t wear longies under a Roman toga!” (January 27,1963, Santa Cruz Sentinal) See below for some snowy pictures during this abnormally brutal winter season.
I highly recommend this novel, “Eagle in the Snow”, by Wallace Breem for a great read about the later Roman Empire and the Crossing of the Rhine. The tale follows a no-nonsense follower of Mithras, General Maximus, as moves from Hadrian’s wall to help fortify the town of Moguntiacum (Mainz) and the Roman territory west of the Rhine against the forthcoming Germanic onslaught. It’s a fascinating tale of the new Christian era, the loss of Paganism, and the changing world of the late Romans.