During a very difficult stretch in his career in early 1961, while Stephen Boyd was waiting for “Cleopatra” to get started, he gave an interview with Screenland magazine. “Even in my early and grimmest London period I was never this long without acting assignments,” Stephen bemoaned. His luck was about to change and “Lisa” (The Inspector) with Dolores Hart was coming around the corner to save him. Unfortunately for Elizabeth Taylor, she contracted double pneumonia around this time and almost died! The “Cleopatra” project was postponed once again.
The title of the article was “What Makes a Woman Seductive?” Stephen describes some of his favorite female movie stars and their sex appeal. It’s a fascinating account!
“What makes a woman seductive?” he repeats my question and mulls it over. “I’m only a mere man and so I’m afraid I can’t define this mysterious substance. But every man knows it when he meets it. In my opinion Marilyn Monroe and Elizabeth Taylor are two of the most seductive women on the screen. Miss Monroe accentuates femininity by daring aggressiveness through exposure; Miss Taylor’s seductiveness is more diffused but the effect is just as alluring. Brigitte Bardot (who has the most animal in her of any woman I’ve ever known) would be third on my list and Sophia Loren fourth. And Kim Novak has an incredible pull that few men can ignore.”
“I’m certain if you asked ten men you’d get different answers, for the question of seductiveness is a highly personal one. A woman may be a packaged Cleopatra or Helen of Troy to one man and lacking in seductiveness to another. Personally, the way a woman walks–that little undulation seen from the rear– is seductive. But when it’s overdone, it’s ludicrous. How she wears her clothes adds to detracts from her ability to captivate a man. For me, petite women are more provocative than tall ones but whether they’re blonde, brunette or redheads doesn’t matter.”
“Sex appeal in a woman isn’t only a physical quality but is mental and emotional as well. A beautiful woman evokes merely admiration from men while sex appeal evokes excitement. Beauty and sex appeal don’t always go together. A plain woman can suddenly become attractive in response to a man’s unexpected attention. It changes her conception of herself, adds a feeling of power, a sense of confidence and so awakens her sex appeal. The same holds true of a man.”
Particular Praise for BB
“…when I was in Paris, I renewed my acquaintance with Brigitte Bardot. Immediately the press nominated me as the next Mr. Bardot. It was ridiculous; I don’t go around breaking up marriages. Brigitte and I had made “The Night Heaven Fell” (which I’d like to forget) and of course I wanted to see her again. Around BB you feel more alive than you normally do. She has intelligence and humor and best of all, she knows how to listen. So many women really don’t, you know. Brigitte is a remarkable woman, at times a bit exhausting, but there’s no romance between us.”
I sometimes wonder how Stephen’s career – and the 1960’s – would have turned out had he waited just a few months longer to start filming “Cleopatra.” He would have been a part of one of the biggest cultural movies of the 1960’s. The problem was, however, he would have spent literally two years filming (or waiting to film) this project! Stephen arrived on set in London in the later summer of 1960 to start filming “Cleopatra” (he was going to be Marc Anthony, of course). By late spring of 1961 he was still waiting. Stephen opted out “Cleopatra” in June of 1961 to start work on “Lisa” with Dolores Hart. When Richard Burton replaced Boyd in July and production on “Cleopatra” finally crawled to a start in late 1961 in Rome. “Cleopatra” was still filming in the summer of 1962 when Boyd was on hand in Rome filming “Imperial Venus” with Gina Lollobrigida! Below is a fascinating glimpse at this production from Stephen’s point of view while he was filming “Jumbo” in Hollywood.
Harold Hefferman, Philadelphia Daily News, March 8, 1962
HOLLWOOD. – Behind movie headlines:
“Runaway production” is a terrifying term striking hard at every layer of the Hollywood foundation. As to its personal impact, no actor in town has greater reason for despising it than Stephen Boyd.
Boyd came back from two years movie making in Europe with little more than wasted time and the unhappy feeling both his career and personal life had been adversely affected by his absence.
The blond actor, who spent an earlier two year period villainizing Charlton Heston in “Ben-Hur,” went back to Europe in 1960 to make “The Big Gamble” with Juliette Greco. While there 20th-Fox notified him he was to play “Anthony” to Elizabeth Taylor’s “Cleopatra,” so he remained on- and on.
“The whole two years – minus a few weeks I spent back here in Hollywood – added up to nothing short of a fiasco,” growled Steve, on the set of “Billy Rose’s Jumbo” at MGM. “While waiting for ‘Cleo’ to get started, I went to Cairo for the big lighting of the Sphinx. That was when they were planning to shoot the picture in Egypt – but, of course, that fell through.
“I’d say that about the personal high points of those 24 months was my trip to Cairo and Lebanon. The countries are beautiful, and it’s too bad so many things came up to prevent shooting ‘Cleopatra’ there.”
A few weeks after Steve reported for the big Queen of the Nile spectacle, Miss Taylor was stricken with her first and near fatal illness, followed by innumerable script and change-of-producer- director delays. Meanwhile, he was assigned by the studio to do “The Inspector” opposite Dolores Hart in Holland. This is a film he has yet to see.
“I can only say I hope it came out better than ‘The Big Gamble,’” Steve chided candidly, “because that one, I’m sure, won’t do a thing for my career. But that did save me from doing ‘Cleopatra,’ for which I am undyingly grateful.”
Steve doesn’t put much stock in the “Roman holiday” rumors of a romance between Liz Taylor and Richard (Antony) Burton. He attributes the notoriety to “a dream creation” by the over-imaginative Italian press.
“Why, the fan magazines and even a couple of Italian newspaper columns had me linked romantically with Elizabeth- a month before I’d even met her!” he laughed. “One headline read: ‘Will Steve divide Liz and Eddie?’ And I’d never even seen the lady, except in a couple of her movies. She and Eddie and I joked about it when we finally did meet on the set – but sometimes rumor and gossip can get way beyond the amusing stage.”
Steve blasts “runaway” for two other personal reasons. It cut into his burning romance with Hope Lange – she didn’t wait, and took up with others – and financially he took a shellacking.
I didn’t get anything resembling tax breaks,” he explained, “and, in fact, I paid both British and U.S. taxes all the time I was away. (Steve is a British citizen, of Irish descent.) I’m not dead set against pictures being made in foreign countries—sometimes they really turn out better – but in far too many cases, such as ‘Cleopatra,’ if they don’t film them on the McCoy locations, they’d do better to stay right in Hollywood and let everyone relax, including the actor.”
Stephen Boyd used to joke that he should have been invited to Elizabeth Taylor’s wedding with Richard Burton. If it wasn’t for Stephen, the biggest celebrity couple of the 1960’s might never have met! Boyd, as many of his fans know, was chosen to be the original Marc Anthony in the Twentieth Century Fox mega-production of “Cleopatra”. Boyd had spoken to a Fox producer as early as late 1959 about the role, which Boyd seemed predestined to play.
“(Walter) Wanger talked with me about the role of Marc Anthony to ‘Cleopatra’…I told him I thought I was too young to play Anthony, who was 48 by the time he got together with Cleopatra. I’ve played it on stage, though.” (Hedda Hopper interview of Stephen Boyd from January 31, 1960, “Hollywood’s New Gable?”, https://stephenboydblog.com/2016/07/09/hollywoods-handsomest-hibernian-may-be-is-stephen-boyd-the-new-gable/)
Boyd was signed as Anthony in early 1960. “She (Taylor) had the approval of all the stars who were going to work with her, ” Boyd said proudly in a Film Show Annual interview in 1964, ” She approved of Peter Finch and myself…” (Sunday Express London Interview, August 11, 1963)
In late June, Taylor was struggling with acute bronchitis which left her unable to attend a lavish New York ‘Roman orgy’ party held by the studio. The worst was yet to come. When the movie began filming in October of 1960 with director Rouben Mamoulian, the film work was taking place at Pinewood Studios in London under cold, damp conditions. Almost immediately, the bronchitis Taylor had in June flared up again in and she was confined to bed with pneumonia. By November, she was rushed to the hospital because of an infected tooth which had caused a viral infection of the tissue at the base of her brain (‘meningism‘). The movie was postponed in December of 1960. But Taylor had more drama to come. On March 4 of 1961, with heavy lung congestion and double pneumonia, she was again rushed to the hospital in grave condition for an emergency tracheotomy.
Stephen Boyd : “I was outside the hospital door that day with Eddie (Miss Taylor’s fourth husband, singer Eddie Fisher) when the doctors came out and told us her had one hour to live. It was one of the saddest, most pathetic moments I can recall. But somehow she pulled through – nothing ever stops her when she wants something.” (Detroit Free Press, “Screen Star Stephen Boyd Since That Chariot Race”, August 1, 1969)
The Pinewood Studio Production of “Cleopatra”, 1960, directed by Rouben Mamoulian, Costumes by Oliver Messel, starring Peter Finch as Caesar, Stephen Boyd as Marc Anthony and Elizabeth Taylor as Cleopatra
Stephen’s one regret about missing out on “Cleopatra” was not getting to work with Elizabeth Taylor.
“I think she’s marvelous. I remember one day when several of us were reading for the part, and Elizabeth was ill, and we went around to her house when she was just, as it were, getting up. And God! She’s the most beautiful thing. You know what you look like getting up? …Not Elizabeth. This vision came out of the bedroom.” (Sunday Express London Interview, August 11, 1963)
“I think she’s a dream.” (Asbury Park Press, July 3, 1964)
“The only thing I didn’t like about Elizabeth Taylor in ‘Cleopatra’ was her make-up – all that heavy eye-shadow and stuff.” (Sunday Express London Interview, August 11, 1963)
“She’s more sensational in her beauty, her lavender eyes, without make-up, just being her natural self.” (Valley Morning Star, Sep 18, 1966)
“While waiting for ‘Cleo’ to get started, I went to Cairo for the big lighting of the Sphinx. That was when they were planning to shoot the picture in Egypt – but, of course, that fell through.
“I’d say that about the personal high point of those 24 months was my trip to Cairo and Lebanon. The countries are beautiful, and it’s too bad so many things came up to prevent shooting ‘Cleopatra’ there.” (Philadelphia Daily News, March 8, 1962)
“Unfortunately, I couldn’t wait around until they decided to shoot. The script was being rewritten, there was a new director, the whole Shaw and Shakespeare concept of a personal drama was being thrown out in favor or spectacle. So I left. They gave my part to a fellow named Richard Burton. They even gave him my costume, and to this day every time he sees me, he says ‘Jesus, you’ve got big feet!” (Detroit Free Press, “Screen Star Stephen Boyd Since That Chariot Race”, August 1, 1969)
Boyd and Burton- sharing Roman costumes, other than footwear!
Burton and Boyd were no strangers to epics: Burton in Alexander the Great (1956) and Boyd in The Fall of the Roman Empire (1964)
Boyd was also apparently mistaken for Burton occasionally in Hollywood, which caused Boyd to explain himself once : “He’s Welsh, I’m Irish. He sings Welsh songs, I sing Irish songs. He drinks, I don’t drink.” (Tintypes, Stephen Boyd, by Sidney Skolski)
Boyd also gave his opinion at the time about the most infamous love affair in the world between Taylor and Burton, and about his own lost chance with Taylor.
“Why, you know, they were starting rumors about Liz and me before we’d even met! I think Burton is a fine actor and I like Elizabeth as an actress – during the time I spent on the picture, she was marvelous – but I think Burton would be foolish to leave Sybil. I was amused by his reply when asked if he was going to divorce her and marry Liz; ‘It’s not bloody likely.'” (Hedda Hopper Interview, June 16, 1962)
“She’s not my type, and I don’t think I’m hers…I’m sure the reason she fell in love with him (Burton) is because he has the strength of mind and body of Mike Todd….True, Richard Burton became a big star in Rome, because of all the gossip and slander. He’s one of the finest actors, but he was not important until his love affair with Elizabeth. I find that shocking. “ (Courier Journal Dec 30, 1962, ‘ Stephen Boyd is Glad he Escaped Cleopatra Role with Liz Taylor)
Stephen Boyd: “My only regret is not getting a chance to be on screen with Elizabeth Taylor…the fact the I dropped out allowed them to meet, and Richard makes a great Anthony” (The ABC of Stephen Boyd interview, 1965)
More about Cleopatra
For more about Cleopatra the Movie, see this excellent website, http://www.elizabethtaylorthelegend.com/Elizabeth%20Taylor%20-%20Cleopatra%20Contents.html
For more about Cleopatra the Historical Person, I have found that there is almost too much information out there about her and it is hard to find the right book. For an excellent historical novel about Cleopatra, I highly recommend Margaret George’s “The Memoirs of Cleopatra” . Having just started reading it recently, I find that it really brings her personality, as well as Caesar and Antony, to life.
Horace’s Ode to Cleopatra
Now drink we deep, now featly tread
A measure; now before each shrine
With Salian feasts the table spread;
The time invites us, comrades mine.
‘Twas shame to broach, before today,
The Caecuban, while Egypt‘s dame
Threaten’d our power in dust to lay
And wrap the Capitol in flame,
Girt with her foul emasculate throng,
By Fortune’s sweet new wine befool’d,
In hope’s ungovern’d weakness strong
To hope for all; but soon she cool’d,
To see one ship from burning ‘scape;
Great Caesar taught her dizzy brain,
Made mad by Mareotic grape,
To feel the sobering truth of pain,
And gave her chase from Italy,
As after doves fierce falcons speed,
As hunters ‘neath Haemonia’s sky
Chase the tired hare, so might he lead
The fiend enchain’d; she sought to die
More nobly, nor with woman’s dread
Quail’d at the steel, nor timorously
In her fleet ships to covert fled.
Amid her ruin’d halls she stood
Unblench’d, and fearless to the end
Grasp’d the fell snakes, that all her blood
Might with the cold black venom blend,
Death’s purpose flushing in her face;
Nor to our ships the glory gave,
That she, no vulgar dame, should grace
A triumph, crownless, and a slave.
It’s so interesting to read some of Stephen’s interviews back in the day. Sometimes he could be too honest when speaking to the likes of journalists Hedda Hooper, Erskine Johnson, Sheilah Graham, Joe Hyams and Louella Parsons. Occasionally Stephen would completely knock down one his own current releases, like in the article below. Stephen had already disappointed Paramount executives by failing to appear at the premiere of “The Fall of the Roman Empire.” In the same summer he told Sheilah Graham that the best movie he had ever done up until then was “Ben-Hur.” This was probably an honest statement, but maybe not the safest path to steer in a sensitive town like Hollywood! Yes, despite his overtly honest comments, Stephen still continued to thrive with a solid career there for several years, even until the early 1970’s when he truly had to seek projects abroad.
Roles Disappoint Stephen Boyd
London- July 3, 1964 (Asbury Park Press) by Sheilah Graham
“The only really good film I’ve made in the past eight years, said Stephen Boyd, complete with heard and ginger mustache, “is Ben Hur.”
Stephen is in London being fitted for his Genghis Khan costumes for “The Golden Horde” which he will film in Yugoslavia for the next three months.
“I’m under contact to 20th Century Fox,” continued the likable actor, “but I haven’t made a film for them (in Hollywood) since 1959 – ‘The Best of Everything’ with Joan Crawford and Suzy Parker. The last picture I made in Hollywood was ‘Jumbo’ in 1961, with Doris Day. It was a poor picture.”
Boyd has the usual Hollywood problem of the past decade. In 1961, he bought a house in the Valley, a charming place, with the idea of living in it, of course.
“Ever since, I have made pictures abroad and spent only a few months in the house. Now I am thinking of selling it for something smaller. With being away so much it would be more practical. The day after I moved in, I left for Egypt, to play Mark Anthony in ‘Cleopatra.’ Every time I see Richard Burton I say, ‘There but for the grace of God, go I.” (On a side note, Boyd is exaggerating here – He was actually sent to Egypt in April of 1961 on a publicity tour for ‘Cleopatra’ to attend the Pyramid Light Inauguration, not for filming ‘Cleopatra’, which was already on the skids since late 1960.)
He sounded somewhat regretful. He likes Elizabeth Taylor.
“I think she’s a dream.”
Stephen also likes Dolores Hart, with whom he made some films when she was a movie star and under contract to Fox. Dolores is in a convent in Connecticut.
“She wrote to me very frequently and I wrote to her. But this stopped on June 29, when she went into complete seclusion – no visitors, no phone calls,no letters for a year. After that she will decide if her future is in a convent, or she can return to the world. She seems very happy in her life. But at the beginning it was not easy for her. She was frank in her letters to me. She was climbing the movie ladder and she wrote to me that she missed the applause, and her life as an actress. But now she had made the adjustment. The chief thing, I imagine, is that you must find love within yourself before you can live with yourself.”
We returned to Stephen’s career, and why he has not cared for most of his films. He’s attractive and a good actor.
“But they won’t let me be myself. I’m always having to play some character. The secret to Gary Cooper’s and Clark Gable’s success is that they always played themselves.”
“I was terribly disappointed,” he laughed, “when they didn’t let me play ‘Jack the Ripper!’”
I was surprised to have caught up with the Irish-born actor earlier this year in Europe. He flew over to star in “The Unknown Battle” in Norway with Elke Sommer.
“But I sat on my rear end in London, waiting for it to start. A major studio was supposed to provide 50 percent of the finance. Two weeks before production, they backed out. Tony Mann, the director, had promised me we will make the picture later this year, then the snows come again to Norway.”
Stephen is sure that pictures are coming back to Hollywood.
“There is a definite upturn, but we won’t see the results until next year. Then maybe I can get to live in Hollywood, as I did when I first went here in 1958. But most of my movies have been abroad, as I told you. I made “The Night Heaven Fell” with Brigitte Bardot in Paris. She was very big then because this was her first movie after her hit in ‘And God Created Woman.’”
“Is it true,” I asked, “that you will never make another movie in Rome?”
“What I said was,” he replied, ”that I would never make a picture in Rome under those circumstances. In the first place this picture will not be shown in America. They can’t get it past the censors. And more important, they didn’t pay me my full salary. They still owe me money. If I make another picture in Rome, the money will have to be in the bank first. Also, what I did receive was taxed in Italy as well as in America. It just isn’t practical to work there.”
One picture Stephen would like to make in Hollywood is the Mildred Crem story, “Forever.” Metro bought it years and years ago with the idea of starring Janet Gaynor.
“I’d like to do it with Audrey Hepburn,” said Boyd.
Another film he wants to make is “Clive of India.”
“Terence Young had written this treatment, and of course this one would have to be made mostly in India.”
This is a happy weekend for Stephen in London. The actor who became an American citizen last December 23 has a birthday on July 4.
“I’m a Yankee Doodle Dandy, and I’m looking forward to the day I can work, as well as live, in America.”
Mark Anthony is sent to Egypt!
In April of 1961, Stephen Boyd had just moved into his newly purchased house in Tarzana, California, a ranch-style home which was built in 1949. Stephen would own this home until his death in 1977. Stephen had been lingering on for quite some time waiting for the call back to the set of “Cleopatra” in London, which he had left in December of 1960. The full cast and crew had been waiting forever for an ailing Elizabeth Taylor to get better. Eventually the project would be revamped with a new cast, director and location. But during this time, the Twentieth Century Fox moguls were talking to the government of Egypt for the possibility of filming some scenes there (obviously – this is “Cleopatra”!). The Egyptian government was under the sway of strongman President Gamal Abdel Nasser Hussein, who had overthrown the Egyptian monarchy in 1952. Interestingly, because Elizabeth Taylor had recently married singer Eddie Fisher and converted to Judaism, Egypt did not want her coming to their country because she was now Jewish. Nasser also banned all Elizabeth Taylor movies in the country! This made the possibility of filming some of “Cleopatra” in Egypt rather awkward for Fox Studios. (Los Angeles Times, July 29, 1960)
The filming of Cleopatra in London, September of 1960. Stephen can be seen on the right in full Mark Anthony costume. Elizabeth Taylor on the horse? It’s hard to say.
Fox Chairman Spyros Skouras was still trying other ways to flatter the ego of the Egyptian President. At this time, Egypt itself was prepping for an exciting new tourist gimmick – a sound and light show at the Great Pyramids of Giza. The light show (which I have seen myself in person when I was in Egypt in 2009), is an impressive display of multi-colored lights highlighting both the Great Sphinx and the Pyramids, and the sound show (at least in 2009) was narrated by actor Omar Sharif telling the tale of the ancient Pyramids and Sphinx. The inauguration of the sound and light show was set for the end of April and, along with other dignitaries and celebrities, Twentieth Century Fox decided to round up a few of its own (since Nasser was demanding glitch and glamour) and shuffled a few actors off to Egypt to attend the ceremony. Because Stephen had been part of the original cast of “Cleopatra” (he was still technically scheduled to be Mark Anthony, as he had not yet dropped out of the role), he was an ideal choice for this publicity tour. He was joined by svelte, blonde beauty Barbara Eden, soon to be of “Bewitched” fame, and TV star Julie Newmar, who would be better known later on as Catwoman from the 1960’s “Batman” TV series.
Julie Newmar, Barbara Eden, Stephen Boyd
Stephen got the call from Fox executives almost immediately after he was moving into his home. His reaction was – not pleased, according to Hedda Hopper.
Steve Boyd was just moving into his Encino home when he was ordered on a plane to Egypt where he’ll attend ceremonies inaugurating light and sound on the Sphinx and Pyramids outside of Cairo. He’ll be gone ten days, said: “I’m leaving my home in utter and abysmal confusion.” (Los Angeles Times, April 13, 1961)
Stephen was dutiful, however, and traveled to Egypt as the handsome, male film celebrity. It was on this first trip to Egypt where he first met Omar Sharif and his wife, who were also attending the celebration. Stephen recalled their meeting during the filming of “The Fall of the Roman Empire.”
“Omar Shairf and I met two years ago in Egypt on a publicity tour for 20th Century Fox. Omar and his wife Fatem Hamama are the biggest stars in Egyptian films today. With Omar working on ‘Fall of the Roman Empire’ now, its like old home week between us.
“Lo and behold,” says Stephen, “Omar and I are working out a deal to costar in a picture to be made late this year. Naturally his lovely wife would have an important role. It would be a join project between my company and his. So far we have the temporary title of ‘The Secret’ and it’s a mystery comedy with romance.” (Philadelphia Inquirer, Feb 22, 1963)
Now that would have been interesting! Anyhow, Stephen also seems to have enjoyed himself and the sound and light show as well, telling Hedda Hopper the details after he returned from his adventure abroad.
Steve tells me he had a wonderful time in Cairo. He said: “The new sound and light is turned on at night and the Pyramids are the most beautiful sight I’e ever seen. Barbara Eden and her husband, Michael Ansara, and Julie Newmar got a terrific reception there. Nasser attended the opening of their movie, but Spyros Skouras, our host, left before we arrived…” (Chicago Daily Tribune, May 11, 1961)
Stephen was finally freed up from his “Cleopatra” obligation in June of 1961, and was off to London to begin filming “The Inspector” with Dolores Hart. By late June, Richard Burton to stepped into the role of Mark Anthony to replace Boyd. Stephen Boyd could finally leave this role behind.
Even though he never got to star in “Cleopatra,” at least Stephen Boyd, the original Mark Anthony, has the small consolation of visiting Egypt, the Great Sphinx and the Pyramids before he moved on to other projects. The only thing he was missing was Elizabeth Taylor as “Cleopatra” on her purple barge floating down the Nile!
On July 31 of 1963, Stephen attended the London opening of the Twentieth Century Fox epic, Cleopatra. What a good sport! Stephen was originally set to play the main male character Mark Anthony, but due to Taylor’s long illness during the filming of the movie in London during 1960, Stephen, as well as most of the rest of the original cast, moved on to other projects. Stephen was in London filming “The Third Secret” during the summer of 1963. Apparently Burton and Taylor both boycotted the London premiere because of the scathing London critical reviews of Taylor’s performance at the time.
As for Boyd’s opinion – from The Sunday Express London on August 11, 1963:
“My only regret in not being in it was not working with Elizabeth Taylor,” he said. “I think she’s marvelous.
“I remember one day when several of us were reading for the part, and Elizabeth was ill, and we went around to her house when she was just, as it were, getting up. And God ! She’s the most beautiful thing. You know what you look like getting up ?” Mr. Boyd collapsed his face and looked extremely unwell. “Not Elizabeth. This vision came out of the bedroom”.
“The only thing I didn’t like about Elizabeth Taylor in Cleopatra was her make-up – all that heavy eye shadow and stuff. Ugh ! I can see why English girls wear so much of it : you’re walking up the Kings-road in the cold, and you’ve got to do sumpin to cover up the purple.
“But I’ve never liked a lot of make-up on women. You don’t know how to break through. It’s almost like being in prison. You know ? Let-me-know-when-I-touch-skin. What do they put so much on for ? Huhh ? It takes longer to take off. And time is a very important thing” (http://leglatin.pagesperso-orange.fr/boyd/boyde.htm)
Look for Stephen at about :19 seconds into the video….