Be sure to check out the two below links for more rare Stephen Boyd clips and snippets, including a fantastic interview of Stephen at the Paramount Movie Studios set talking about The Oscar and his sexy co-star Elke Sommer! Below are some of the highlights.
*A video of Stephen Boyd and Hope Lange attending “The King and I” charity/benefit premiere at Graumans Chinese Theater in May of 1961. (event presented by Eight Ball foundation of L.A. Press Club – Grandeaur 70 premiere)
*Stephen Boyd receiving his “Golden Globe” award in 1960. Ceremonies took place at Cocoanut Grove Nightclub inside the Ambassador Hotel, Los Angeles, Stephen won for Best Supporting Actor for his work in “Ben-Hur”! I love the satisfied , dimpled grin he can’t hide. Bravo Stephen!
*Getty Images videos showing Stephen arriving and enjoying the party for Tony Bennett in Las Vegas, Nevada, specifically for “The Oscar”, 1966
*Stephen attending the “Fantastic Voyage” premiere in Hollywood, and signing lots of autographs ala Frankie Fane! Boyd ON TOP OF THE WORLD here!
*Stephen Boyd on the Paramount Movie Set talking about co-star Elke Sommer (he REALLY likes Elke!) and his role in “The Oscar”. I had never seen this interview before – it’s amazing!
In mid 1963, as Stephen Boyd was wrapping up his role as the Roman General Livius in the epic production of “The Fall of the Roman Empire,” director Anthony Mann started to consider Boyd as the lead in his next project as well – “The Unknown Battle.” This movie was going to portray the true story of the top secret Allied mission to knock out the nuclear weapons plant run by the Nazi’s in Norway during the mid stages of WWII. Norwegians saboteurs, in a serious of heroic operations, destroyed a ‘heavy water’ plant in Telemark, Norway before if could be used to help develop a nuclear weapon which could have changed the outlook of the war in the most terrible way. Winston Churchill called it one of the most important single acts of World War II because it prevented the Nazis from developing the atomic bomb.
The Vemork Hydroelectric Plant – the setting for Anthony Mann’s WWII adventure film, “The Unknown Battle”
Originally Mann was seeking to cast Charlton Heston (who had worked with Mann on “El Cid” in 1961) and Stephen Boyd (currently working with Mann) as the two leads in the project. Yes, a reunion of the iconic “Ben-Hur” antagonists was initially the main objective!
Boyd was set up for a decidedly busy schedule for the next few months and even lamented to one reporter, ” When will I get in a round of golf?” (Honolulu Star Bulletin, June 6, 1963).
By February of 1964 stunner Elke Sommer (Boyd’ future co-star in “The Oscar”) was signed to be the female lead on the film (whose title had now changed to “High Adventure.”) Boyd told Hedda Hopper that Sommer was as “sexy looking as any actress around”, and asked for her to be his leading lady. (Los Angeles Times, Feb 5, 1964)
Meant for each other – Sommer and Boyd would reunite explosively in “The Oscar”, 1965
Heston had not been signed, and then Mann considered Boyd’s counterpart in “The Fall of the Roman Empire”, Christopher Plummer for the role. Then the merry-go-round of casting continued to some very curious participants!
For a key role opposite Boyd, Mann wanted Steve McQueen and offered him $500,000 plus a percentage of the gross.
Mann explained what unfolded next.
“McQueen told my representative : ‘I resent your calling me at home.’ So I forgot about him.
“Then I went after Marlon Brando, whose price is a million. I didn’t mind the price but he wanted to change the script.
“There were some actors in the cast he didn’t like. He insisted that they must play Nazis. I dropped him, too.” (The Progress Index, Feb 24, 1964)
Incredibly Anthony Perkins of “Psycho” fame, for a cheaper price than Brando of course, won the role.
So the main cast of “The Unknown Battle/High Adventure” was set – Stephen Boyd, Elke Sommer and Tony Perkins.
Boyd’s carousel of potential “Unknown Battle” co-star’s – from McQueen to Brando to Perkins!
In March Boyd was home in Hollywood to discuss the premise of the movie with the press. He seemed very excited about the story.
Smoking rising from Vemork hydroelectric plant after Allied air raid, Telemark, Norway, 16 Nov 1943 ww2dbase
The story if based on a little-known incident of 1943. It was in the spring just 23 years ago that Hitler announced he has discovered the basic elements to destroy the Free World with atomic bombs of his own. A group of seven men, Norwegians and British, were selected by Allied Intelligence Service to be smuggled into occupied territory to blow up the secret Heavy-Water experimental station in the mountains 100 miles north of Oslo. How these men helped to save the cause of democracy is a story, Boyd feels, must be told. Elke Sommer, herself a product of Germany, portrays a Norwegian girl who helps her countryman in the dangerous mission. The account of the venture has been fictionalized by Ben Barzman… (St Louis Jewish Light, March 18, 1964).
Stephen had packed his bags once more and headed to London and the cold ice fields of beautiful Oslo, Norway to start filming on location. Boyd has been waiting – and waiting – for the production to actually begin. Terrifying flashbacks to the “Cleopatra” debacle of a few years prior were most likely clouding his thoughts! Frighteningly, Anthony Mann was producing and directing the project. It didn’t take long for the money to run short.
In late March journalist Sheilah Graham broke the story that Stephen, after arriving in London, discovered that the production has been indefinitely postponed. He hurriedly called his agent to join him there to find out what was going on! By April Stephen had filed a $500,000 breach of contract suit against Mann for time wasted and other opportunities lost (Mann didn’t seem to mind to much- he was at the Cannes Film Festival when the suit was filed!). (Philadelphia Inquirer, April 25, 1964)
Boyd has missed some other excellent film offers, including Sophia Loren’s project “Lady L.” Carlos Ponti, Loren’s husband/producer, had told Boyd that “your love scenes with my wife were the greatest (From “The Fall of the Roman Empire”). I’d like you to costar with her in Lady L.” (Los Angeles Times, Feb 5, 1964) Boyd wanted the role, and Loren was insistent that Boyd star as her lover, but as Boyd was tied up with “The Unknown Battle”. Loren had to settle for a lackluster and totally miscast Paul Newman! In addition, Boyd chose not to fly all the way back to Hollywood to attend the premiere of Paramount’s “The Fall of the Roman Empire.”
By July of 1964 Boyd had cooled a bit and explained to Sheilah Graham what had happened with the production.
“But I sat on my rear end in London, waiting for it to start. A major studio was supposed to provide 50 perfect if the finance. Two weeks before production, they backed out. Tony Mann, the director, has promised me we will make the picture later this year, when the snows come again in Norway.” (Asbury Park Press, July 2, 1964)
Two weeks after this interview, Kirk Douglas replaced Boyd in his role. Boyd had signed on to be the villain in “Genghis Khan” and he was off to make this film instead.
Mann did eventually get his project off the ground with Douglas, Michael Redgrave and Ulla Jacobssen. Richard Harris, who had been Mann’s original choice to play Commodus in “The Fall of the Roman Empire”, eventually became the second lead. Harris had just finished up his role as Cain in John Huston’s epic “The Bible”, which also featured Boyd as Nimrod.
Mann’s film was renamed “The Heroes of Telemark” and it was released in 1966. It’s a taut adventure movie with some truly heartracing action scenes and spectacular Norwegian scenery. But I still wish it had been made with the original cast!
Finding a positive review of “The Oscar” is a bit of a challenge, but I really like this particular review!
March 5, 1966, Daily News, New York
There have been many “inside” film stories about Hollywood producers and stars, including the current attraction at the Music Hall, “Inside Daisy Clover.” But there has never been as bitter a pill for Hollywood to swallow as “The Oscar” which had a gala premiere Thursday night at Loew’s State with a number of the film’s stars in attendance. It opened to the public yesterday at both the State and Festival Theatres.
The Embassy Pathe Color production is being released in the nick of time as the balloting on the 1965 awards is going on right now in Hollywood. The results will be announced by the Academy April 18. As unseemly as the fight for the coveted award is shown to be, and in spite of the shockingly violent stripping of a star’s glamor during the course of the film, “The Oscar” is bound to attract attention from other than inveterate movie-goers. For anyone with a modicum of interest in the behind-the-scenes of a movie studio, “The Oscar is a must-see film.
The the first place, it gives Stephen Boyd a chance to prove that he is a fine actor, as well as a handsome profile in a wide screen colorful epic, is role, penned with acid by Harlan Ellison, Russell Rouse and Clarence Greene from Richard Sale’s novelistic expose, is a fascinating portrayal of a heel.
The sorry tale is about Frankie Fane’s rise from manager of a stripper for stag parties to a top Hollywood star to his slipping career, suddenly stopped on the slide downhill by is nomination for the Academy Award. Fane’s ruthless, despicable maneuvers to cop the Oscar and revitalize his screen career are shown in all their naked baseness on the screen. Frankie is exposed as a man without feeling and, as on of his erstwhile friends says of him, carrying the seed of rot inside himself.
The role of the Hollywood heel is played with remarkable verisimilitude by Boyd. He is surrounded bu a bevy of beauties, each one adding to the success of the production. Elke Sommer represents the beautiful and talented clothes designer who becomes the star’s wife. Eleanor Parker is the woman who gives him his first big boost towards success. Jill St. John plays the gorgeous stripper in the early part of the film and Edie Adams helps him with a battle with a blackmailer.
The surprise of the film is the excellent performance that Tony Bennett contributes in his first screen role and Milton Berle’s fine portrayal in the straight dramatic role as Fane’s agent. Joseph Cotton, Ernest Borgnine, Peter Lawford, Ed Begley, Broderick Crawford and a feminine quartet of famous people add spice to the production. The four woman are the late Hedda Hopper, Merle Oberon, Nancy Sinatra and dress-designer Edith Head. Rouse directed the film in a realistic manner.
Seeing the film on the screen is better than a conducted tour of the exterior Hollywood and its studios, as “The Oscar” gives one a real inside look at the cinema capital and its people. However, I hope that this picture of what happens to an Oscar nominee is presented more in fancy than in fact.
Photos from my favorite scene in “The Oscar” – the fight on the yacht between Frankie and Kay.