Anyone who has read this blog may have noticed I have a fondness for Ancient Rome and Greece. And I do – I have studied it most of my adolescent and adult life and is one of my great passions. One of the reasons I got into the history of that period was from seeing movies like Ben-Hur, Cleopatra & The Fall of the Roman Empire when I was a teen. So in honor of all the Romans I love to read about, I thought I would collect a few quotes from Stephen Boyd about Ancient Rome and the famous Romans he studied for many of the roles he played (or would have played). If anyone was born to play a Roman, it was Stephen Boyd.
Quotes about Mark Anthony/Cleopatra
Never was any actor so prepared for a role. I had studied Anthony from every possible angle, reading everything about him I could lay my hands on. (July 11, 1961, Petaluma Argus Courier)
I am interested if Anthony is played as a warrior, as he was in the original script. But I’m not interested if he is only a lover. He can be shown as a warrior making love. But no actor can convincingly play a warrior-like figure as a lover. Marlon Brando found that out when he did Napoleon in ‘Desiree.’ (July 11, 1961, Corpus Christi Caller Times)
She (Cleopatra) was an ambitious housewife who dabbled in politics and who wanted Egypt to share the honors with Rome. So she romanced Ceasar, and they had a child. Then later with Anthony, with whom she had four children.
I love the Mark Anthony role; I believe the film will be a tremendous success. It’s not often you get to play a role summed up in the classic line: ‘Who lost Marc Anthony the world? A woman. (Screenland Magazine, July 1961)
Fall of the Roman Empire, Edward Gibbon and Marcus Aurelius
And strangely enough, in a flash, the conversation veered off from romance to Stephen’s other interests: the science of cybernetics, self-hypnosis, and then to historian Edward Gibbon and his classic work, “Decline and Fall of the Roman Empire,” as well as to the stoic philosophy of Marcus Aurelius, Emperor of Rome! ….But far more goes into a role. He (Boyd) reads everything he can find on the period of the film, particularly if it has an historical background. Before he portrayed the evil Messala, and while he was working on “Cleopatra,” he immersed himself in Roman history. All this scholarly reading paid off, for once again he will be involved in the Roman Empire, but this time on a broader canvas. It was this reading which gave him an interest in the philosophy of Marcus Aurelius (Why, even Freud was influenced by him.) (Silver Screen Magazine, April 1963)
Quotes about Rome, Romans and Chariots
I may be tempted to settle down in Rome because I had such a big part in building the place. (September 17,1 1962, Standard Speaker)
Try walking down a street someday and make believe you’re a Roman. You have to walk like a Roman, talk like a Roman and act like a Roman. It’s much harder than just playing a modern man–then, all you have to do is act, but you don’t have to think about your walk or your costume or your speech. (June 26, 1966 Brownwood Bulletin)
Chariot racing cannot be mastered without complete muscular control. Enormous pressures challenge the driver every second of the way. To pull of galloping horseflesh, the weight of the Roman two-wheeler and unpredictable terrain features constantly threaten the charioteer. He must be prepared to react with violent resourcefulness to stay alive. (Salt Lake Tribune Nov 16, 1963)
Stephen Boyd studies his Ancient Romans at the Prado Museum in Madrid before staring the filming of The Fall of the Roman Empire.
Stephen Boyd in Roman costume
Be sure to visit the extensive photo gallery of The Fall of The Roman Empire at https://stephenboydblog.com/fall-of-the-roman-empire/
Handsome Stephen Boyd seems to be giving the lovely Italian film goddess Sophia Loren his rapt attention here during a cigarette break on the set of “The Fall of the Roman Empire”, May 30, 1963.
A little Ben-Hur, Fall of the Roman Empire, Gladiator and Thor: Ragnarok arena – evolution-mash-up for all the sword-and-sandal fans out there.
Here’s to Stephen Boyd, Russell Crowe and Chris Hemsworth for keeping us all very entertained.
A detachment of Praetorian Guards met Livius, Claudius and Claudius’ aides at the bridge over the Tiber and accompanied them through Rome to the emperor’s palace on the Palatine Hill.
As Livius was escorted up the palace steps, he glanced out at the yellow eyes of Rome by night, the flickering candles and oil fires, the thick shadows and the glow of torches illumining the obelisks and temples. He was home and he felt as excited as a small boy.
Claudius remained with him as the Praetorian Guards escorted them across the entry into the state room where slave girls and the patrician youth of the city drank and laughed together. But as Livius came in sight, the laughter ebbed and silence spread over the place like a shroud.
Cornelius, the chief of the Praetorians, came forward, and led Livius along along the corridors to Commodus’ private chambers.
This suite looked out on the palaestra. as though Commodus was truly happy as long as he was in sight of the gymnasium and his gladiators.
The spacious room was softly lit by oil lamps suspended on delicate clains from the ceilings and walls. Commodus looked lonely, a brooding figure in the shadowy chamber. Behind him on the cavernous walls were huge maps of all the Roman provinces.
Commodus did not look up, seeming not to notice that Livius and Cornelius had entered his presence. Cornelius glanced at the emperor, then at Livius. He withdrew, leaving Livius alone some distance from Commodus.
Commodus spoke in low tones, “Oh Livius. My friend – my brother! Why did you leave me?”
Commodus descended from the throne, moved slowly toward Livius. Livius hesitated only a second longer and than rushed to him. They embraced fiercely, then parted.
Livius, only now looking at his great friend, realized how much he had missed Commodus and all he represented. Gazing at Commodus, he found it hard to credit all the rumors and whispers Timonides had retailed to him at Ravenna.
“I am alone, Livius.” Commodus’ voice was odd, ready to break. “This is a fiercely lonely place I exist in, Livius. I try to lighten my terrible burdens with some pleasures– music, gladiators, excitements–and terrible talk starts about me. I imagine you have heard much of it–even as far away as Ravenna.”
Livius smiled. “I’ve heard whispers.”
Commodus sighed. “And I suppose you disapproved, too?”
“I didn’t believe everything I heard.”
“But you disapproved what you did believe?”
“It was not for me to approve. You are undoubted Caesar. You must become disheartened, tired–”
“Oh, I do, Livius, you’ll never know how tired I become. If it were not for my pleasures, I couldn’t endure it all…Still, I can see by your face that you don’t apporove.”
“You can’t see that, Commodus, for it is not there in my face. I have no right to censure you. You do not live as I would, but your tastes are not mine.”
“How I’ve missed you, Livius! Why can’t the world understand me as you do?”
Livius didn’t speak, and Commodus persisted. “What’s the mater, Livius, is it my fault the world does not understand?”
“I need you here, Livius,. I am so alone. There is no one like you. No one I can trust. No one I can talk to, ask advice, speak my heart to. They all want something of me. I can never know what they’re thinking.” He smiled at Livius, great love showing in his face. “Only you, when you speak, I know it’s the truth–and for my good.”
“I have not wanted to be away, Commodus.” He spoke tensely. “I have been isolated. I have hear only rumors. What really has happened?”
Commodus’ face shadowed, tightening in helpless frustration. He spoke in a whisper. “Rebellion– the whole East has rebelled. Syria, Egypt.”
Livius shook his head, staggered. “Syria? Egypt? That is Virgilianus, Marcellus. It cannot be! They were soldiers with me. They were the most loyal.”
Commodus laughed in rage.
“They were loyal to my father. Now they are raising armies against me–against Rome.” he glared about him, eyes bitter. “They’re always hated me. Marcellus. Virgilianus. They’re waited all these years for the right moment.”
Livius turned away, prowling the huge room as though it were suddenly a breathless cage. He was deeply disturbed.
Commodus said, “Even Sohamus has joined them.” When Livius heeled around, scowling, Commodus peered into his face, studying it. “He forced Lucilla to flee with him.”
At the sound of Lucilla’s name, Livius felt something flare inside him and he winced as if an old wound that had lain dormant were suddenly ripped open, raw and bleeding.
Commodus stared into his face. “And there is more, Livius. More I haven’t told you. The rebellion is spreading in your name.”
Livius looking squarely at Commodus, their gazes clashing. In the deep silence, the remove sounds of the palaestra filtered through the heavily curtained windows.
At last Livius said in a quiet, hard voice, “Rebellion cannot be made in my name, Commodus.”
“Yet they are using it that way. Your name has spread over the whole East–as the new Caesar.” His mouth taut, Commodus quoted, ” ‘Bring in the new Rome–the Rome of Livius Gaius Metellus.’ And now there are echoes of that same cry in the North and West. Do you say you have not even heard it?”
“I do say that, Commodus. I remain loyal to my country, my Caesar, my oath.” He prowled the carpeting, staring at the map of the provinces, the shadowed walls, the old lamps, the emperor waiting. He heeled around, mouth bitter. “Why did you recall me, Commodus?”
“I wanted to hear from your own mouth that you loved me still, Livius.”
“You knew that.”
“The whispers are shouts, the rebellion is real, growing.”
“Why do you call on me, Commodus? Where is your Eastern Army?
There was a protracted silence. At last, as Livius waited tensely, Commodus gave a weary gesture of his hand. “Our Roman legionnaires have been so long in the East, they are no longer Roman.” His voice lowered, becoming almost inaudible. “The Eastern Army has gone over to the rebels.”
Livius retreated as if struck physically, staggered by this news. Commodus straightened, eyes bitter. “Why do I call on you, Livius? Because you are the only man the Northern Army will follow in battles against–other Roman legions.”
Livius stared at the emperor inn the thick silence. At least he said, “This is a filthy task you impose on me–to throw Roman against Roman.”
“It must be done. if the empire is to survive, it must be done. And even more, Livius. It will have to be as in the old days old punishing armies. Cities destroyed. Evey living thing killed. Before the rebellion spreads. Before our enemies attack. The whole world must know we have again become the Rome of old.”
Commodus waited, but Livius did not speak. Commodus lowered his voice to a wild, urgent whisper. “We are fighting for survival.”
Livius was shaken. “That Rome should have to fight for survival.”
“It’s true! I haven’t told you all. I–have to behead the chief of the Praetorian Guards and–give that head to the people of Rome to–to quiet them. We are in desperate trouble, Livius–everywhere. Even here at Rome. We must show them that we are strong, that we will destroy out own people if they oppose us.”
Livius barely heard him. “I’ve fought a dozen battles alongside of Virgilianus and Marcellus. They were my friends.”
Commodus swung his arm in a savage, cutting arc. “Friends? Jackals ready to destroy us. No. No. Destroy them! What other way is there?”
Livius stared at the emperor in the shadowed room, feeling his face ache with the ruts pulled into it. “What other way is there?” Neither spoke because there was no answer, they had said it all.
Photos below of Stephen Boyd (as Livius) with the inimitable Alec Guinness as the Emperor-Philosopher Marcus Aurelius Antoninus from The Fall of The Roman Empire, 1964.