Stephen Boyd is asked : “What Makes a Woman Seductive?”

During a very difficult stretch in his career in early 1961, while Stephen Boyd was waiting for “Cleopatra” to get started, he gave an interview with Screenland magazine. “Even in my early and grimmest London period I was never this long without acting assignments,” Stephen bemoaned. His luck was about to change and “Lisa” (The Inspector) with Dolores Hart was coming around the corner to save him. Unfortunately for Elizabeth Taylor, she contracted double pneumonia around this time and almost died! The “Cleopatra” project was postponed once again. 

The title of the article was “What Makes a Woman Seductive?”  Stephen describes some of his favorite female movie stars and their sex appeal. It’s a fascinating account!

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“What makes a woman seductive?” he repeats my question and mulls it over. “I’m only a mere man and so I’m afraid I can’t define this mysterious substance. But every man knows it when he meets it. In  my opinion Marilyn Monroe and Elizabeth Taylor are two of the most seductive women on the screen. Miss Monroe accentuates femininity by daring aggressiveness through exposure; Miss Taylor’s seductiveness is more diffused but the effect is just as alluring. Brigitte Bardot (who has the most animal in her of any woman I’ve ever known) would be third on my list and Sophia Loren fourth. And Kim Novak has an incredible pull that few men can ignore.”

“I’m certain if you asked ten men you’d get different answers, for the question of seductiveness is a highly personal one. A woman may be a packaged Cleopatra or Helen of Troy to one man and lacking in seductiveness to another. Personally, the way a woman walks–that little undulation seen from the rear– is seductive. But when it’s overdone, it’s ludicrous. How she wears her clothes adds to detracts from her ability to captivate a man. For me, petite women are more provocative than tall ones but whether they’re blonde, brunette or redheads doesn’t matter.”

“Sex appeal in a woman isn’t only a physical quality but is mental and emotional as well. A beautiful woman evokes merely admiration from men while sex appeal evokes excitement. Beauty and sex appeal don’t always go together. A plain woman can suddenly become attractive in response to a man’s unexpected attention. It changes her conception of herself, adds a feeling of power, a sense of confidence and so awakens her sex appeal. The same holds true of a man.”

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Stephen Boyd’s top five most seductive actresses: Monroe, Taylor, Bardot, Loren and Novak

Particular Praise for BB

“…when I was in Paris, I renewed my acquaintance with Brigitte Bardot. Immediately the press nominated me as the next Mr. Bardot. It was ridiculous; I don’t go around breaking up marriages. Brigitte and I had made “The Night Heaven Fell” (which I’d like to forget) and of course I wanted to see her again. Around BB you feel more alive than you normally do. She has intelligence and humor and best of all, she knows how to listen. So many women really don’t, you know. Brigitte is a remarkable woman, at times a bit exhausting, but there’s no romance between us.”

To read the entire interview, please see https://stephenboydblog.com/archives/https://stephenboydblog.com/archives/

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Stephen Boyd ‘gets his Irish up’ about stripping down for “Imperial Venus”

FOREIGN PICTURES PRODUCERS A ‘BUNCH OF AMATEURS’

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On the set of Imperial Venus in Rome

Los Angeles Times, October 28, 1962

So you think movies have gone about as far as they can go. Rape, incest, young girls with old men, abortion, dope, sadism. After low-cut necklines, came no necklines. What’s left? Reluctantly, Stephen Boyd supplies the answer – nude males.

Boyd, whose first halting stab at this was with Brigitte Bardot in “The Night Heaven Fell,” goes all the way—as they say—in “Imperial Venus” with Gina Lollobrigida. In between, he’s managed to sandwich in more wholesome roles – the memorable Messala in “Ben-Hur” and the upcoming MGM release, “Billy Rose’ Jumbo.” Also, he starts work in December in Samuel Bronston’s “Fall of the Roman Empire.”

As for being nude, Boyd does not approve. In fact he considers that he’s made the same mistake twice, the second mistake being the worst, the Italian-made “Imperial Venus.” Said Boyd:

It Was Simple

“I think it’s crude. But we were in the middle of production and I don’t think it’s professional to hold up production right in the middle of it. I knew the scene existed but from the point of view of shooting it was so simple. I’m lying in bed and I had a sheet over me. I figure when you look nude you look nude, but you don’t have to be nude. But it didn’t turn out that way.

“I haven’t seen the picture. In fact, I haven’t seen the scene. I don’t look at rushes, but those who have tell me it’s really something. Anyhow, the scene will not be shown in America. And in my opinion that makes it worse. I mean I do not believe it is necessary for me to be nude in any version, no matter where it is shown. I don’t believe this is entertainment.”

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Why, then, over Boyd’s objections, was the scene filmed?

‘Bunch of Amateurs’

“Because,” said Boyd, “they are Italians, let’s say, and they don’t know any better. The producers are the worst bunch of amateurs I’ve ever had the misfortune to work under. The producer is amateurish rather than an amateur. He’s unreasonable.

“He thinks, I believe, that this will help sell tickets. But I wonder where he will sell them. If my memory serves me right, he can’t show it in France. I did a scene with Bardot where she was nude and I was pretty much so and they wouldn’t pass that. What Frenchman wants to look at an Irish body?

“Apart from the physical contempt for the type of operation I was subjected to, I hope I never again find it necessary to make a picture for any foreign organization that is not supported by Americans. I exclude from this the English, for the English too are professionals.

“Being a professional, one forgets there are amateurs in the field. For all I know they could be perversionists. You get involved in the picture and you get to the scene and they say, ‘All right, take your clothes off.’

Foreigners Copyists

“There’s all this talk about how great the foreign pictures are. But they’re all copyists. I believe all of the great talent is in Hollywood and New York. I don’t believe there’s anybody in the world that can touch them.”

From his words, it’s easy to see that Stephen Boyd had his Irish up. He is, in fact, and Irishman, the youngest of nine children. He was born in Belfast and while he had no trace of accent, he has the Irish gift for language.

And while Boyd deplored his part in “Imperial Venus,” he was quick to praise “Jumbo.” An opposite kind of entertainment. Said Boyd at the Hollywood Brown Derby.

“In my opinion ‘Jumbo’ is the type of entertainment that has been successful since the beginning of entertainment. It is family entertainment. I believe there are more close-knit families in this world than there are individualists.

Our Worst ‘Better’

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“I honestly believe – it depends on how you view this business – that motion pictures are a form of entertainment developed for the masses. I don’t believe there is one single picture made here that doesn’t do better than pictures made in Europe – than anyplace else, for that matter. Forget the cost or anything else, the worst picture here makes at least as much as the best picture made in Europe.

“I hate like hell leaving this town. I really hate to. But at the moment pictures are being made abroad. If it looks like it’s be good entertainment, you just have to go.”

Add a personal footnote to aspiring young actors. Learn from Stephen Boyd’s experiences. Go slow, take your time and keep your pants on.

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Another scene which was snipped from even the European version of Lollobrigida and Boyd in bed together.

50 years ago Stephen Boyd was filming “Shalako” in Almeria, Spain

It’s hard to believe that 1968 was 50 years ago, but yes, it’s true. During the early part of 1968 Stephen Boyd was busy filming “Shalako” with Sean Connery, Brigitte Bardot, Honor Blackman and Peter Van Eyck near Almeria, Spain.  According to a newspaper article at the time, Stephen was most excited to get to work with both Brigitte and Connery. Steve and Sean were acting buddies at the very beginning of their careers in Ireland while Steve co-starred with Brigitte at the outset of her career in “The Night Heaven Fell.”  (Pittsburgh Post Gazette, Nov 23, 1967)

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Stephen Boyd wines and dines with Brigitte Bardot during “Shalako”

I would very much like to thank mega-Stephen Boyd fan Emmanuel in France for kindly emailing me these amazing behind the scenes photos of Boyd and BB on one of their evenings out during the filming of “Shalako”.  This was when the rumors were flying about a possible romance between the two actors. You can see why!

I wonder what Brigitte Bardot is going to give Stephen Boyd when they finish work on the flicker they’re currently shooting. Last time the twosome co-starred in a movie Brigitte surprised Stephen with a unique and special version of the film. She gathered together all the film censors had deleted as being too sizzling and spliced it together to form her own private version of a stag movie starring Brigitte and Steve. (Hartford Courant, Jan 17, 1968)

Bardot: “As for Stephen, he and I are just old friends. The whole company usually dines together at night. I may have kissed Stephen, but I kiss everybody I like.” (News Castle News, Pennsylvania, Feb 28, 1968)

Bardot: “But I am very upset he (husband Gunther Sachs) will read this report about Stephen Boyd and think maybe there is something to it. Then we will have a row and the stupid people who started this will have achieved their purpose, anyway…Some nights Steve sits at my table, some nights he doesn’t. ”  (El Paso Herald Post, March 2, 1968)

Boyd: “I have no relationship with Miss Bardot–only in the professional sense. I am a professional actor, she is a professional actress…I know why they (rumors) started. Recently I have taken Miss Bardot out to dine on a couple of occasions in Almeria. But we were not alone- always with a bunch of friends. (El Paso Herald Post, March 2, 1968)

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Actor Cesar Lucas posts an Instagram photo with Stephen Boyd from the Shalako set, 1968 (posted April 28, 2018)

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Rare Behind the Scenes Photos of Stephen Boyd and Brigitte Bardot from “The Night Heaven Fell” (1957)

A press writer wrote this once about Stephen:

I have always felt that Stephen Boyd deserved to do well. For did he not essay his first star part opposite Brigitte Bardot- and if that isn’t learning to swim at the deep end, I don’t know what is.

I saw a lot of him at that time in Southern Spain. He was in despair and Bardot was in what is euphemistically referred to as the altogether. The altogether what? (“She is delighted with CinemaScope,” Boyd said at the time. “It means she can start off fully clothed at one side of the screen and be nude by the time she gets to the other.”)

I told him then that things could only get better.(Roderick Mann, London Express Service, El Paso, Herald Post, Saturday Jan 26, 1967)

The film of which he describes is the Roger Vadim flick called “The Night Heaven Fell.” Stephen Boyd was chosen specifically by Brigitte Bardot to play her rugged on-screen lover. For a young actor from Belfast, this movie had to be extremely challenging. This was only Stephen’s second starring role, the first being “The Beast of Marseilles” filmed in early 1957. And here he was – an Irishman playing a Spaniard in a French movie filmed in two different languages starring a temperamental and very famous French sex symbol. Oftentimes male stars would turn down the chance to star with Bardot because she was the show and they didn’t want to be upstaged. Stephen Boyd had no such qualms and used the opportunity to make a name for himself in conjunction with the famous star. The production in Spain (near Mijas) was also plagued by bad weather and illness amongst the cast. In my opinion it was all worthwhile as Bardot and Boyd make a very sexy and riveting on-screen pairing!

Below, Stephen Boyd, Brigitte Bardot, Alida Valli and Roger Vadim during the Summer and Fall of 1957 in France and Spain while filming “The Night Heaven Fell” (Les Bijoutiers du Claire de Lune)

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Above, Boyd and Bardot prepare to do battle, with Roger Vadim directing.

Bedroom practice!
Kissing Miss Bardot is hard work! Note the leg rest Stephen is using on the bed.
Stephen Boyd discusses the flowers-in-the-hair scene with Brigitte Bardot.

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Stephen and screen legend Alida Valli

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Feb 12, 1968 : Brigitte Bardot and Stephen Boyd “Shalako” romance rumors hit the headlines of the worldwide gossip columns

50 years ago today!

“Publicists on the Sean Connery-Brigitte Bardot film Shalako described its chemical formula as 007+BB=TNT. But there was a side-effect that sent SB+BB=HEADLINES. An American news agency report from Almeria, Southern Spain, where they were filming, told the world Brigitte had found “a new love interest” in Stephen Boyd.

Both Bardot and Boyd crisply denied the report and then refused to discuss it further. How did the report come about? Was there, despite the denials, any truth in it? These were the sort of questions I set out to answer.

I can now report that I am convinced there was a romance afoot, that Brigitte and Boyd openly displayed their affection for each other, but that publication of the report on their romance cooled it. ” Raymond Palmer from Photoplay in Almeria Spain, 1968.

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https://stephenboydblog.com/stephen-boyd-and-brigitte-bardot/
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February 12, 1968, Des Moines Tribune
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The Central New Jersey Home News, February 12, 1968
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Lansing State Journal, February 12, 1968
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Philadelphia Daily News, Feb 13, 1968
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Feb 13, 1968 Arizona Republic

Boyd Likes Rough and Tumble Roles

LOOKING AT HOLLYWOOD

By Florabel Muir

Boyd Likes Rough and Tumble Roles

Stephen Boyd is one actor who is satisfied to play rough and tough characters rather than romantic leads. “Give me a part with guts in it, and I’ll be happy no matter how big an SOB the character is,” he explains.

The actor gets his wish in spades in the role of “Bosky Fulton,” villainous guide to a group of stranded European aristocrats in “Shalako,” the multi-million dollar western recently shot in Almeria, Spain. The Cinerama release, set in the America Southwest, also stars Brigitte Bardot and Sean Connery, which makes it an odd sort of western.

The fact is, Boyd has played the “bad guy” during the greater part of his career, which means that he usually is playing second fiddle to the “good guy,” the star of the film.

He essayed the role of the charming but deadly Nazi counter espionage agent in “The Man Who Never Was.” Clifton Webb starred. Boyd was prominent in the casts, but not quite starred in , “The Fall of the Roman Empire,” “Genghis Khan,” and “The Bible,” as well as “Island in the Sun,” “The Bravados,” “A Woman Possessed,” and “The Best of Everything.” He did star as the greatest heel of all time in “The Oscar,” a film that didn’t quite reach the expectations of the critics.

Then, of course, there was “Ben Hur.” Boyd’s performance was great. You may also remember, however, that Charlton Heston won the Academy Award for this work in title role.

“Shalako,” a Dimitri de Grunwald production directed by Edward Dmytryk, is Boyd’s first western. The actor, who was born in Ireland but who became an American citizen in 1963, has been eager to do a western since he began in films 15 years ago. “I know it’s strange for an Irishman to want to play in a western, but so I always did.”

The ruggedly built Boyd is delighted with learning the tricks of the cowboy acting profession. For the film he had to learn to ride horses bareback and western style.

He underwent intensive training in how to wield a trusty six-shooter. Gun coach Rod Redwing notes, “Boyd is close to the fastest pupil I’ve ever coached.”

“Shalako” also provides Boyd with the opportunity to practice his Judo and Karate techniques in several sequences. “I studied Judo and Karate several years ago because I know they would come in handy. It’s really why I worked at it. I always know I’d use the training for a part in a western if I ever got to play in one and so I am,” he says with apparent pride.

As for his personal life, Boyd has had a rough- and- tumble difficult life. He had had to push ahead with sheer will power. He had nine older brothers and sisters and that alone was enough to give him determination.

Actually, the wildly gregarious actor is half Irish and half Canadian. Interestingly enough, he was born on July 4, and now that he is am America citizen, he is quite happy about this coincidence.

Boyd, known as a swinging bachelor, had been linked romantically with a number of celebrated beauties. Indeed, the life of one great international star might have been quite different if one film had not been postponed. Because it was, Boyd was required to withdraw from the commitment “due to a conflict in schedules.”

The film was “Cleopatra.” Boyd was originally set to essay the role of Mark Anthony opposite Elizabeth Taylor, but because of her protracted illness the picture was halted for six weeks of shooting. Boyd was forced to exit the film, and was, as you remember, replaced by Richard Burton. The rest is history.

Does Stephen Boyd have any second thoughts? Hardly. “I’m an Irishman. I could hardly get my Irish up over a situation like that.”

Boyd credits Sir Michael Redgrave with his biggest boost as an actor. Steve was a doorman at a theatre in London when he was asked to assist in helping stars onto the stage at the British Film Academy Awards. Sir Michael, who was presenting the awards, noticed the professional bearing and dignity of the young doorman.

Sir Michael says,”It was just intuition. After inquiring about Stephen’s acting background, I merely gave him a letter of introduction to the Windsor Rep. He carried his success from there.”

At one time Boyd was under a long term contract to Twentieth Century Fox which gave him his first ‘starring’ role in “The Man Who Never Was.” Now older and more experienced, Stephen considers actors unwise to sign themselves to companies for long periods. “It’s a bloody bore! You lose all control of your own career and become a ‘Property.’ You can have no free will about the parts you play and this way you run the danger of becoming typed.”

Ten years after he met Brigitte Bardot for the first time, Stephen Boyd and the world’s foremost sex kitten were reunited at the same site where they made their first picture together.

But what a difference a decade made.

When B&B first traded kissed in Almeria, Spain, Steve was just two years into an acting career, barely getting underway, and Miss Bardot, at that time, was already one of the most famous screen females in the world.

The movie filmed in 1957 was called “The Night Heaven Fell.” Almost exactly ten years later, in an Almeria transformed from a sleepy vacation spa on Spain’s southern Costa Del Sol to the most popular movie location site in the world, B&B became a team again- this time in a multi-million dollar western, “Shalako.” The picture, the setting, a lot of things had changed. But some qualities remain always the same. Bardot – and Boyd.

(Copyright, 1968. By News Syndicate Co, INC.)