Released in December of 1959…Wow! What an amazing ride for this incredible, cinematic masterpiece!!!
This is a truly amazing experience if you have never witnessed Ben-Hur (1959) on the big screen! Don’t miss this major cinematic event!
Boyd and Heston on the circus track!
Always a little too self-critical, Boyd was asked once in a a “Movieland” Magazine interview in December of 1962 to critique his own work. The answers may surprise you!
“Tell me – even though you feel you’ve done nothing to deserve the current interest in you, what performances do you feel proudest of?”
“In motion pictures?”
“No, you can include the stage, TV and radio if you like.”
He tilted his head thoughtfully. “The best performance I ever gave in my life was Stanley Kowalski in ‘A Streetcar Named Desire.’ The second best performance that I ever gave was the part of Dr. Miller in ‘The Deep Blue Sea.’ Both were on the stage in London.” He leaned forward, counting now on the fingers of one hand. “And probably Number Three is a performance I gave on television in London in a play called ‘Barnett’s Folly.’ I played a very shy, weak young man. Next I would put ‘The Man Who Never Was.’ And somewhere in there I’d put ‘Ben-Hur.’ But only the death scene. It was the only thing I liked in my performance, the only thing where I felt I was getting close to what I wanted in that picture.”
Boyd also continued to speak about filming “Ben-Hur” and working with director William Wyler.
In writer Gore Vidal’s memoir ‘Palimpsest’ he describes in detail how he developed the renowned homo-erotic angle in the Ben-Hur script that was used to develop the tension between the hero, played by Charlton Heston, and his nemesis, played by Stephen Boyd. It’s fascinating to read and it’s also very interesting to see how Stephen and Gore conspired to pull this off. (Note also Vidal’s admiration for the set design of “The Fall of the Roman Empire” on page 303 below.)
I’ve also included a snippet of Gore Vidal talking about the making of Ben-Hur in the documentary entitled “The Celluloid Closet.” He has high praise for Boyd, but genuine dislike for Heston, sadly. Gore described Boyd as an ‘enigmatic’ Irish-man with the perfect ‘I can do anything’ attitude, which fit Gore’s image of Messala perfectly.
Now, people sometimes get confused and think that Stephen Boyd was himself gay, which he was not. (Stephen fell in love and married his wife Mariella di Sarzana while filming Ben-Hur!) Truly, if there was anyone who would know if someone was gay, that would be Gore Vidal! Gore Vidal never says this in any of this interviews or books, only that the character was portrayed by Boyd (in his off-screen explanation) as gay. Read below for all the details!
Director William Wyler, screenwriters Christopher Fry and Gore Vidal, and star actor Charlton Heston at Cinecitta Studios in Rome, 1958
Here I am with Christopher Fry. We are the two writers who actually wrote the screenplay of the film Ben-Hur in Rome for producer Sam Zimbalist and director William Wyler. The literally incredible screenwriter’s Guild denied credit to either of us on the grounds that another writer unknown to all of us, claimed the script was his. He maintained that he had mailed a copy of the script from Culver City to Zimbalist who, at the credit time, was conveniently dead. Years later, I successfully sued the Guild on a similar matter. – Gore Vidal, Snapshots in History’s Glare
Gore Vidal’s greatest novel in my opinion is “Julian”, released in 1962, about the pagan apostate Roman Emperor. Do yourself a favor and pick up a copy of this book! It is a delight to read and Vidal is an exceptional author! This is truly my favorite novel of all time.