HOLY CAESAR!! Alert to all Stephen Boyd fans. Finally TCM is airing my favorite all time movie The Fall of the Roman Empire this month on January 17th. Ben-Hur is airing again on January 3rd as well! Strap on your Roman helmets and get ready to watch some amazing peplums. Maybe FOTRE will gather a few more fans….!
Happy Solstice, or Sol Invictus Day! Sol Invictus, or Invincible Sun, was a popular Roman solar deity which gained preeminence in the later Roman Empire courtesy of the Emperor Aurelian (and before him the Emperor Egalabalus). In fact, the first Christian Emperor Constantine initially was a worshiper of Sol Invictus as well. The ‘radiant crown’ of Sol Invictus was transferred to Christ and remained popular with Constantine and Christian Roman emperors thereafter in iconography and coins. December 25th (which used to be the solstice) was the celebratory date of Sol Invictus, and this date is still popular today as it was adopted by Christianity in the late 3rd century. So what other deities and religions were popular during the Roman Empire?
The Imperial Cult
The best way to start describing this cult is by the word Apotheosis, which means to become divine, or to reach divine status. In the summer of 44 AD, after the death of Julius Caesar, a great comet was seen in the sky. Using this imagery his adopted son Octavian (soon to be Augustus) developed a divine cult for Julius Ceasar, including temples and priests. Octavian himself was divi filius (“The son of a deified one”). This concept was common in Greek and Roman religion. Hercules himself had joined the Gods on Olympus after his death, and so did Julius Caesar. Octavian, when he became Emperor (or Princeps of the Republic), allowed cult temples made in the honor of his own divine genius. This genius, or divine spirit, is what was worshiped around the empire. Empresses too and the offspring of the Emperor would also be considered worthy of divine status. Of course this made sense to people in the empire, especially in the East. The Emperor ruled over most of the known world, and anyone wielding such power would of course be divine!
So when Messala tells Ben-Hur that the Roman Emperor Tiberius is God, the “only God” for the power he wields on earth, this is exactly what he means! Failure to worship the Gods of Rome (including the Emperor) is what led Christians into trouble in the 1st and 2nd centuries because lack of worship meant that this person (or persons) did not want to reap the benefits of divine favor to the Empire. It was considered political and social defiance. The Jews, because of their ancient religion, were exempt from worshiping the Imperial Cult and Roman Gods, but the Christians were not.
Some megalomaniac Emperors took this imperial cult worship a step further and declared themselves actual gods (not just the worship of their genius) while they were still alive. Such notables would be Caligula (whose memory was condemned), and Commodus, the son of Marcus Aurelius, who posthumously regained his divinity during the reign of Septimus Severus.
The modest and humorous Emperor Vespasian summed this all up best, I think, with his death-bed exclamation: ‘Vae, puto deus fio’ – ‘oh dear, I think I’m becoming a god. ’ (Suentonius, The Twelve Caesars)
The traditional Gods of Ancient Greece were still the most popularly worshiped Gods in the Roman Empire. Jupiter, Apollo, Venus, Hera, Artemis, Mars and the like all had temples throughout the Empire in various manifestations. Many Middle Platonist‘s rationalized the worship of many Gods or the properties of God in their various guises or manifestations of the one God Logos, or Truth (see Plotinus, for example). The world is a place teeming with variety, so it makes sense that several aspects of Nature and Human Emotions and Passions are represented by the many Gods of Olympus.
Messala and Ben-Hur remember childhood games when they evoke “Down Eros, Up Mars!” to each other. Mars, or Ares, the God of War, would surely have appealed to a militaristic solider like Messala, as he was the god of strife and war. However it seems Eros, the god of sensual love and desire, could perhaps be the God Messala really wants to summon here?
Messala also offers praise to Jupiter before the chariot race begins. “The Roman people worshiped Jupiter more extravagantly and more frequently than all other gods; therefore, the worship of Jupiter is almost monotheistic. Jupiter was the most powerful and the greatest of the gods so much so that the Romans sometimes called him Jupiter-Optimus-Maximus. The Romans considered Jupiter to be the protecting entity of their empire, and they even believed that Jupiter would provide them with the greatest empire the world had ever seen.” (https://en.wikibooks.org/wiki/Roman_Culture/Roman_Myths/Jupiter)
Philosophy could sometimes take on the trappings or demeanor of religion as well. If we take Marcus Aurelius, played so brilliantly by Alec Guinness in “The Fall of the Roman Empire”, and his Meditations, you can get a glimpse of some of the amazing philosophies of the late Roman Empire. Stoicism, founded by Zeno in Athens in 313 BC, matched the Roman mentality very well. Stoics were seekers after the Unknown God. They believed in Fate and Providence (hence they paid particular heed to Oracles and Omens). The God of the Stoics was the Creator of all Things, and obeyed the ‘natural law’. They valued above all things moderation, courage, justice, prudent self control and practical intelligence. Reason and living in agreement with Nature were the basic tenants of Stoicism. There is a world weary tone in The Meditations, but also hope behind the belief of a coherent, ordered, purposeful Universe.
If then, whatever the time may be when thou shalt be near to thy departure, neglecting everything else thou shalt respect only thy ruling faculty and the divinity within thee, and if thou shalt be afraid not because thou must some time cease to live, but if thou shalt fear never to have begun to live according to nature—then thou wilt be a man worthy of the universe which has produced thee, and thou wilt cease to be a stranger in thy native land, and to wonder at things which happen daily as if they were something unexpected, and to be dependent on this or that. (Meditations, 12.1)
Last but not least we come to the mysterious Roman cult of Mithras, which displayed the Persian trappings of the ancient Zoroastrian God from Persia. The worship of Mithras seems to have come to Rome around the reign of Domitian and continued well into the 3rd century. Like the Eleusinian and Isis mystery cults, Mithraism also maintained secrets oaths and a hierarchy of ascension (seven ‘grades’ of initiation – Crow, Numphus, Solider, Lion, Persian, Heliodromus and Father). The grades of this hierarchy mirrored the regiments and order of an army, so this religion because popular with the Roman troops, especially on the Danube and the Rhine. The cult excluded women. It revolved around Mithras and his ritual sacrifice of a bull (called a tauroctony), as the giver of ‘seed’ and procreation. This sacrifice and be seen in many statues around the Roman world, showing Mithras (wearing a Persian cap), holding a knife and wrestling the bull. Out of the blood from the bull ears of corn or trees can be seen growing from the ‘gift’ of this sacrfice. Because of the celestial aspects of Mithraism, equinoxes and solstices also were important dates of worship including, once again, December 25th, the day if the solstice during Roman times. The ceremonies for Mithras were mostly performed in caves or underground chambers, many of which can still be seen today.
Religion is only obliquely referred to in “The Fall of the Roman Empire”. For example, the Emperor is a Stoic; his Greek counselor Timonides is a quiet Christian (he can be seen wearing the “chi-rho” symbol around his neck). However, our hero Livius’ religion is never revealed. In my opinion it’s most likely that Livius would have been a follower of Mithras. As a solider on the Danube, Livius would have been exposed to this religious sect and most of his troops were likely followers as well. Most telling of all, Livius’ friend, the Emperor Commodus, was “admitted among the adept and participated in their secret ceremonies.” (Franz Cumont, the Mysteries of Mithra). Once the cult of Mithras found favor in the person of the highest imperial power it truly gained a reputation and following from the common solider to the highest aristocracy. “Until the downfall of paganism the aristocracy remained attached to the solar god that has so long enjoyed the favor of the princes.” (Franz Cumont, the Mysteries of Mithra)
“…Mithras had a militant character, always ready for battle, prepared to assist others in their fight for good and to bring them victory. One of the grades in the mysteries was called Miles, the soldier. The Mithraic cult was a form of military service; life on earth a campaign led by the victorious god. It is therefore little wonder that soldiers of all ranks in the Roman legions, orientals included, felt the lure of Mithras. Observance of the cult guaranteed assistance to all who pledged their lives to the Roman eagle. The assurance of divine aid on the battlefield, the military discipline and the taking of an oath as part of that discipline, were very important factors in the spread of the Mithras cult and its official recognition.” (http://www.cais-soas.com/CAIS/Religions/iranian/Mithraism/m_m/pt3.htm)
So Happy Holidays and Merry Christmas to everyone out there! And from me, a nod of recognition to the Ancient Gods – whether it be Sol Invictus, Mithras, Augustus or Zeus – as Messala would say, “In the Name of All the Gods!”
from the Republican and Herald, Pennsylvania, March 26, 1965
GOODBY TOGAS, HELLO PANTS, SAYS STEVE
by Armand Arched
HOLLYWOOD – It’s a pleasure to track down Stephen Boyd on a movie set. The search can take you anywhere from Rome for “Ben-Hur” to downtown Los Angeles for his current “Fantastic Voyage.” But it’s a long time between his Hollywood-made films. And he’s one of those rare guys who’d like to stay at home in sunny Southern California and leave the driving (or flying) to other guys.
The last time we spoke to Boyd on the set of a Hollywood made film was “Jumbo”, on the back lot at MGM studios in Culver City. Since that time, he’s been to Italy (a couple of times), Spain, Yugoslavia, England, Egypt and Ireland.
“It seems I do nothing but travel,” he smiled. “And, as you know, I originally came to Hollywood to make my home here and to work here. But since that time, there’s been an influx over to Europe and unfortunately I’ve been a member of that group.”
Boyd wasn’t kidding about making his home in the sunny Southern California clime. The eligible bachelor, instead of making his pad one of those super-glamor places above the Sunset Strip, chose to buy his own home in the San Fernando Valley where such established family men like John Wayne live. Sure, the house has a pool- he’s a sun-lover. (One of those reasons he left the British Isles).
“I’m a true-blooded American citizen,” Boyd noted (he’s had his citizenship papers over a year), “and also a true- blooded California citizen.” He credits the last status in view of his always-handy golf clubs. Like thousands of Los Angelenos, Boyd is a golf nut. Whenever and wherever possible, he’s out pounding the turf.
“Fantastic Voyage” is a pleasure for Boyd on another count. It gives him a chance to work in civvies for a change. “I’d almost become used to getting up in the morning and putting on a dress- a toga, that is, ” he laughed. “It’s nice to be wearing long pants. I feel like a man again.”
In the film, he plays a secret service man –“a good full-blooded American,” he reiterated. But before this epic, Boyd was again in a toga, or baggy dress, playing “Nimrod” in the biggest epic of them all, “The Bible” by Dino de Laurentiis.
Boyd toils in the Tower of Babel sequences. Although he was again in biblical dress, Boyd admits the film was a great experience.
“But it’s a different-looking Steve Boyd,” he warned. “My make up took three hours every morning– false beard, false eyebrows, false eyelashes, false hair. Everything about me is false – except my heart, ” he laughed. These sequences were filmed outside Cairo as well as in the studios near Rome.
We were talking with Boyd inside the giant Los Angeles Sports Arena. As we looked down from the upper levels at the floor below (being readied for a basketball game that night), it was hard to believe Hollywood’s craftsmen had transformed the place into a Pentagon-type building for super-secret activities of deterrent force of men who could make themselves small enough to enter the human blood stream – of the enemy, that is.
It’s a super-futuristic film, of course. It’s not outer space, we were told, but inner, inner space. Some of the equipment rented is also used in plants doing secret government work. Some of the machines are creations of the 20th-Fox engineers. It’s super-science-fiction stuff.
Talking to Steve and looking down at the floor of the Sports Arena, we wondered if he and pal Charlton Heston could run a chariot race here. “It would be kind small,” he laughed. “If Chuck Heston and I got in here we’d have to expand it five or six times the size. We’re a little too fast for these guys.”
We could testify to that – we once stood on the sidelines of the “Ben-Hur” arena in Rome when they filmed their chariot race and we still shudder, recalling those charging steeds tearing around the track a few yards away from our reporting post.
Yes, we agreed with Boyd, it’s a pleasant change to see him working in civvies – and in modern civilization again.
Supporting Actors Pose Movie Woe by Bob Thomas, March 23, 1960 (The Corpus Christ Caller Times)
Hollywood – The Motion Picture Academy still hasn’t solved its supporting-actor problem.
The support category in the Oscar sweepstakes has vexed Hollywood ever since 1944. That was the year when Barry Fitzgerald was nominated for both star and support awards for his performance in “Going My Way.”
Absurd? Of course. The academy has kept changing its rules ever since (Fitzgerald finally won for support). For a while, actors in hit films permitted themselves to be demoted to supporting class to qualify in that less competitive race. Now the academy rules that any actor with star billing– usually denoted by having his name appear above the title — must compete in the star race.
That still isn’t the answer, as you can see in the case of Stephen Boyd. Recently he won the Hollywood foreign press award as best supporting player because of his work in “Ben-Hur.” Yet he drew no Oscar nomination, because he had star billing in the film.
“Ridiculous!” declares the outspoken Irishman. “I was a supporting player in the picture. Every other role in ‘Ben-Hur’ was in support of Chuck Heston.
“Why, not counting the chariot sequence, my role lasted only a half-hour on the screen. Now how can you call that a starring role?”
Boyd remarked that Hugh Griffith had a much larger role than he did. Yet Griffith was nominated for support, while Boyd remained a star.
“Nobody can tell me that Thelma Ritter is not a star, yet she was nominated for support for ‘Pillow Talk,” the actor added. That’s another incongruity. Some noted character performers never get star billing, though their roles are stellar. Yet some top names will accept minor roles as long as they get the balm of star billing. You figure it out.
Boyd has always managed to speak his mind in this town, and it made him a puzzle for his studio (20th Century Fox). For instance, the bosses were taken aback when he refused to take the role of Boaz in “The Story of Ruth.”
“It;s a good script, but I felt I couldn’t add anything to the role,” he remarked. “It wouldn’t have helped me and it wouldn’t have helped the picture.”
He was equally vocal about wanting to do “Let’s Make Love” with Marilyn Monroe after Gregory Peck walked out of the lead. But it went to Yves Montand instead.
“That was a part I would have done,” Boyd complained. “The studio didn’t think I could do comedy.
“Good lord, for about 10 years I played 50 different plays a year in repertory in England. About 10 of those would be dramas. I got my first big breaks in films doing comedy.”
Boyd takes rather a fatalistic view of his service with the 20th-Fox, which extends another two and a half years. He’ll stick it out – but in the roles he thinks he can do. During that time, he’ll make no move to change his citizenship.
“That’s a big step, and I’d never do it while I was under contract and had to stay in the country,” he reasoned.
Below are some nice newspaper ads for “Jumbo” starring Doris Day and Stephen Boyd when the movie was released in December of 1962, and a few funny stories about the filming of the movie in early 1962 at the MGM Culver City Studio. The film was so big that it covered two enormous lots and two large stage sets at MGM!
“MGM hasn’t seen anything like it since the Circus Maximus – if then. “Billy Rose’s Jumbo” (as they are calling it now) is all over the place…The elephants are housed on Lot 2; so are the horses being trained for Doris Day…The picture is spilling all over the sprawling Culver City studio. The main tent has been erected twice–on Lot 3, about a mile from the studio proper measuring 130×180 ft, and capable of seating 2,000 people, and on Stage 15, MGM’s largest. Here the actual circus acts, some 50 in number, will be shot, and here Miss Day Stephen Boyd and others will perform on trapeze and tightrope.
The big top on Lot 3 is surrounded by a menagerie, a mess tent, a wardrobe tent, wagons, and a sideshow, complete with a merry-go-round. Still another stage, 29, will be utilized for filming the close-up dramatic scenes.
The Los Angeles Times, Feb 7, 1962
“On the set of MGM’s “Jumbo,” Stephen Boyd, who appears opposite Doris Day as a high-wire specialist and clown, recalled his own humble beginning as a London street busker, or funny man. He remembered that a Bobby watched him try to raise a crowd to earn a few pennies. The policeman sauntered over and said : “After you’re through bein’ funny, mate, you can join the mourners at St. Paul’s.”
The Los Angeles Times, Feb 25, 1962
Stephen Boyd, co-starring with Doris Day in MGM’s “Jumbo,” discovered, much to his discomfort, that the sequence in which he goes into the cage and subdues a lion was scheduled for the last day of shooting. So Boyd went to the animal’s trainer to ask about the lions culinary habits. “Oh,” the trainer said nonchalantly, “I wouldn’t worry too much about Pete. He’s ferocious looking, but he’s from Italy, and over there he chomped up so many martyrs in those Italian movies that I don’t think he’d go for you.” Boyd retreated as gracefully as possible and was heard muttering: “I played Messala in ‘Ben-Hur’ and I don’t think you could call him a martyr.”
The Los Angeles Times, April 29, 1962
“Jumbo” has completed filming at MGM, and a variety of amusing incidents during production have been noted here and elsewhere. There was one on the final day when Stephen Boyd was called upon to drive a farm wagon drawn by a spirited horse. After Boyd finished his rehearsals, director Charles Walters commented :”That’s great, Steve, but can you come around that curve a little faster?” The star answered with a question: “Didn’t you see ‘Ben-Hur’?”