At the start of Stephen Boyd’s Hollywood career, he was quickly compared to the legendary Clark Gable as a handsome, tough heart-breaker on the big screen. Gable himself had started out in villain roles then proceeded to become the King of Hollywood, starring as the witty, masculine and charismatic Rhett Butler in 1939’s “Gone with the Wind”. Advertiser’s for both “The Night Heaven Fell” in 1958 and “Woman Obsessed” and 1959 tag-lined Stephen as “The Young New Clark Gable” or simply just “the New Gable”. Even Hedda Hopper liked to compare Boyd to Gable, and Boyd himself agreed modestly that some of the Gable type roles would have suited him as well. These comparisons faded, obviously, after Boyd’s career took a different path. He did not become the next Clark Gable in Hollywood. But the comparison is still intriguing. In fact, in one of Stephen’s later movies “Slaves” in 1969, Boyd resembles Gable’s Rhett Butler more than ever in his looks with his debonair mustache and 19th century Southern gentleman’s wardrobe!
QUOTES ABOUT BOYD AND GABLE
When I told him I thought of him as the new Clark Gable of this era, although a far more vital type than Gable, he (Boyd) shook his head, puzzled: “It’s difficult to associate myself along those lines,” he said. “But I daresay the roles Gable has played are roles I’m suited for. I prefer a two line part with genuine character to an innocuous one such as I had in ‘Woman Obsessed’…after I read a story I ask myself whom do I remember. That is the part that will be remembered on screen. I’d like to try some kinds of roles Arthur Kennedy plays- something with guts and vitality. (Pittsburgh Press, Hedda Hopper Interview, Jan 31, 1960)
Charlton Heston as “Ben-Hur” gives a performance of utmost convection and sincerity, while Stephen Boyd as “Messala” brings to the screen one of the most vital portrayals since Gable’s Rhett Butler. (Pittsburgh Press, Jan 20, 1960)
Clark Gable couldn’t love the billing Stephen Boyd gets in the Brigitte Bardot picture, “The Night Heaven Fell.” The advertising refers to Steve as “The Young New Clark Gable…” (Anderson Daily Bulletin, Aug 12, 1958)
He (Boyd) thinks their nuts when they call him “another Gable.” (Modern Screen, June 1960)
Asked once how it felt to be labeled Hollywood’s biggest sexboat since Gable in his prime, Steve replied, with a slightly forlorn look, “I’d rather be known as a good actor. Sexboats recede with their hairlines, but actors get better and better.” (Unknown clipping, 1960)
PROMOTIONAL ADVERTISING ABOUT BOYD AS THE NEW GABLE